BIOGRAPHY   1935 born in Quincy, Massachusetts (US) lives and works in New York   SOLO EXHIBITIONS   2012 Galerie Tschudi, Zuoz Satier, Lead on Copper, Meessen De Clercq, Brüssel RISE, ACE Gallery, Los Angeles 2011 Timber Works, Konrad Fischer Galerie, Berlin MUSEION, Museum für moderne und zeitgenössische Kunst, Bolzano Galería Cayón, Madrid Museum Kurhaus Kleve LINES, Konrad Fischer Galerie, Düsseldorf TRAVERTINE / BASALT, Sadie Coles HQ, London 2010 9 x 27 napoli rectangle, Alfonso Artiaco, Naples Museum Kurhaus Kleve 2009 TIN, Sadie Coles HQ, London Paula Cooper Gallery, New York Konrad Fischer Galerie, Düsseldorf 2008 WESTERN RED CEDAR, Paula Cooper Gallery, New York Al C Cu Fe Pb Sn, Galerie Tschudi, Zuoz Cu Al, Konrad Fischer Galerie, Düsseldorf IRON, Yvon Lambert, Paris, Galerie Greta Meert, Brüssel Yvon Lambert, Paris 2007 Early Works on Paper 1958-1966, Andrea Rosen, New York Hommage à Chillida, Kunst Station Sankt Peter, Köln Poetry, Galerie Tschudi, Glarus 40 Jahre bei Konrad Fischer, Konrad Fischer Galerie, Berlin Zinc, ACE Gallery, Beverly Hills Timber Works/Copper Works, Paula Cooper Gallery, New York 2006 Konrad Fischer Galerie, Düsseldorf Sadie Coles HQ, London Paula Cooper Gallery, New York Georg Kargl Box, Wien Pythagorean Sculptures, Carl Andre, Tschudi Gallery, Glarus 2005 Works in and for The Hague, 1969 Stroom Den Haag New works and new publication 1993-2004, Galerie Tschudi Glarus Kunsthalle Basel 2004 BLACK WHITE CARBON TIN, Sadie Coles HQ, London Galerie Arnaud Lefebvre, Paris, photography Works from Glarus, Galerie Tschudi, Zuoz/Engadin Graphite, Konrad Fischer Galerie, Düsseldorf Lament for the Children, Paula Cooper Gallery, New York Sadie Coles HQ, London 2003 America Drill, Galerie Arnaud Lefebvre, Paris New Work and presentation of the poem America Drill, Geukens & De Vil Contemporary Art, Knokke-Zoute Large Scale Sculpture (Andre, Grosvenor, LeWitt), Paula Cooper Gallery, New York Carl Andre / Copper Timber, Galerie Tschudi, Glarus Thank You Glarus, Carl Andre, Kunsthaus Glarus Aluminum Squares, Konrad Fischer Galerie, Düsseldorf 2002 ACE Gallery, Los Angeles Konrad Fischer Galerie, Düsseldorf Copper Cubes, Galerie Tschudi, Glarus Ingots Wood/Words/Aluminum, Paula Cooper Gallery, New York 2001 Words and small fields, Sadie Coles HQ, London Middelheimmuseum, Antwerp Poems, Paula Cooper Gallery, New York Open Air Museum Middelheim, Antwerpen, Belgium words & small fields, Sadie Coles, London 2000 Whitechapel Art Gallery, London Poetry / TryPoe, Galerie Tschudi, Glarus Small Sculptures, Paula Cooper Gallery, New York 1999 Konrad Fischer Galerie, Düsseldorf Lament for the Children, Yvon Lambert, Paris STILLANOVEL TRIALS, STILLANOVEL SYNOPSIS, STILLANOVEL EDITION, Konrad Fischer Galerie, Düsseldorf 1998 Galerie Tschudi, Glarus Alfonso Artiaco, Pozzuoli Western Red Cedar, Konrad Fischer Galerie, Düsseldorf New Work, Royal Botanic Garden, Edinburgh, Inverleith House New Work, Paula Cooper, New York Galerie Tschudi, Glarus, Switzerland 1997 Galerie Tschudi, Glarus Paula Cooper Gallery, New York ACE Gallery, New York ACE Gallery, Los Angeles The Void Enclosed by the Squares of Three, Four, and Five, Stommeln Synagogue, Pulheim/Stommeln Galerie Tschudi, Glarus sculptor 1997, M.A.C. Musée d'Art Contemporain at Musée Cantini, Marseille Oeuvre Poétique, Centre de la Vieille Charité, Marseille Typewriter Drawings 1963 and Blue Cut Trails 1963, Paula Cooper Gallery, New York 1996 Paula Cooper Gallery, New York City SCULPTOR 1996, Haus Lange/Haus Esters, Krefeld / Kunstmuseum Wolfsburg / Museum of Modern Art Oxford Second Floor Exhibition Space, Reykjavík Bonnefantenmuseum, Maastricht PROSPECTIVE RETROSPECTIVE, Paula Cooper Gallery, Inaugural Exhibition at 534 W 21 Street, New York 1995 New Wood Work, Anthony d'Offay Gallery, London Sand Lime Instar, Gagosian Gallery, New York Paula Cooper Gallery, New York Pb Cu, Galerie Tschudi, Glarus 1994 WORDS, 1958-1972, Kölnischer Kunstverein, Köln The Complete Poems, Stedelijk Museum Amsterdam Konrad Fischer, Düsseldorf 1993 Maze & Snares of Minimalism, Julian Pretto Gallery, New York Galerie Tschudi, Glarus WORDS, 1960 - 1980, Paula Cooper Gallery, New York, travels to Köln & Amsterdam 1992 Manet Isobars, Paula Cooper Gallery, New York 10 Sculptures in the Shape of a Pair, Galerie Plus-Kern, Brüssel Yvon Lambert, Paris Konrad Fischer, Düsseldorf Recent Sculpture, Julian Pretto Gallery, New York 1991 American Abstraction at the Addison, The Addison Gallery of American Art, Phillips Academy, Andover Extraneous Roots, Museum of Modern Art at the Cloister of the Carmelites, Frankfurt a.M. Homage to Hollis Frampton, Center for Contemporary Art, Cleveland Sculptur & Poesi, Vestsjaellands Kunstmuseum Sorø Cold-rolled Primecouples, Konrad Fischer, Düsseldorf Bismuth Cadmium Indium, Anthony d'Offay, London 1990 1979-1989, 5 works, Kamakura Gallery, Kanagawa Konrad Fischer Galerie, Düsseldorf Galerie Plus Kern, Brüssel Paula Cooper Gallery, New York 1989 Galerie Daniel Templon, Paris Six Sculptures, Anthony d'Offay, London Words as Poems, Matter as Sculpture, Paula Cooper, New York Brownian Stillness, Galería Edurne, Madrid 1988 Roaring Forties, Palacio de Cristal, Madrid Espacio Parque Pignatelli, Museo Pablo Gargallo, Zaragoza Julian Pretto Gallery, New York Konrad Fischer, Düsseldorf Hearth, Yvon Lambert, Paris Galerie Plus Kern, Brüssel Jean Bernier, Athens 1987 Stedelijk Van Abbemuseum, Eindhoven Haags Gemeentemuseum, Den Haag Sculture, Museo d'Arte Contemporanea, Castello di Rivoli Revel (for KF), Konrad Fischer, Düsseldorf 1986 Belgian Blue Limestone, Galerie Plus Kern, Brüssel / Konrad Fischer Galerie, Düsseldorf 1985 Skulpturen, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster Paula Cooper Gallery, New York Travertino, Galerie Daniel Templon, Paris Milchstraße (La Voie Lactée/The Milky Way) Kunstraum München Konrad Fischer, Düsseldorf Gian Enzo Sperone, Rom 1984 Fine Arts Gallery, Broward Community College, Fort Lauderdale, Florida Westfälischer Kunstverein, Münster Konrad Fischer, Düsseldorf Galerie im Körnerpark, Berlin Galerie Plus-Kern, Brüssel Galleria Primo Piano, Rom Galerie Andre, Anselm Dreher, Berlin Art Gallery, Fine Arts Center, State University of New York at Stony Brook 1983 Heath Gallery, Atlanta Flow Ace Gallery, Los Angeles Paula Cooper Gallery, New York Galerie Daniel Templon, Paris Konrad Fischer, Zürich Galerie Plus Kern, Brüssel Le Nouveau Musée, Villeurbanne/Lyon Le Coin du Miroir, Dijon The Clocktower, The Institute for Art and Urban Resources, New York 1982 Konrad Fischer, Düsseldorf Susan Caldwell Gallery, New York Alberta College of Art Gallery, Calgary Galerie Hans Mayer, Basel University of New Mexico, Albuquerque Lowe Art Museum, University of Miami, Coral Gables, Florida Colorado State University, Fort Collins University of Wyoming David Bellman, Toronto 1981 Museum Haus Lange, Krefeld Anthony d'Offay, London Konrad Fischer, Zürich Württembergischer Kunstverein, Stuttgart Graeme Murray Gallery, Edinburgh Paula Cooper Gallery, New York Susan Caldwell Gallery, New York Seagram Plaza, New York 1980 Institute of Contemporary Art, Boston Paula Cooper Gallery, New York Lopoukhine Nayduch Gallery, Boston David Bellman Gallery, Toronto National Gallery of Canada, Ottawa Portland State University, Oregon Konrad Fischer, Düsseldorf Cornish Institute of Arts, Seattle 1979 The Art Institute of Chicago Wood, Palais des Beaux-Arts, Brüssel Sculptures en bois, ARC, Musée d'Art Moderne de la Ville de Paris University Art Museum, University of California, Berkeley Glenbow Institute, Calgary, Alberta Dag Hammarskjöld Plaza Sculpture Garden, New York Dallas Museum of Fine Arts Musée d'Art Contemporain, Montreal Reese Bullen Gallery, Humboldt State University, Arcata, California ACA Gallery, SAIT, Calgary, Alberta 1978 Whitechapel Art Gallery, London Wood, Van Abbemuseum Eindhoven Laguna Gloria Art Museum, Austin The Contemporary Arts Center, Cincinnati Albright Knox Art Gallery, Buffalo Sperone Westwater Fischer Gallery, New York Art Agency, Tokyo Pinacotheca, Richmond, Victoria, Melbourne Konrad Fischer, Düsseldorf Ace Gallery, Los Angeles Ace Gallery, Vancouver, British Columbia 1977 Otis Art Institute, Los Angeles Joseloff Gallery, Hartford Art School, Connecticut Sperone Westwater Fischer Gallery, New York 1976 Davison Art Center, Wesleyan University, Middletown, Connecticut The Clocktower, New York Installation of Prime Terrane, Detroit Institute of the Arts, Detroit Kabinett für Aktuelle Kunst, Bremerhaven Minneapolis College of Art and Design John Weber Gallery, New York Barbara Cusack Gallery, Houston Ace Gallery, Los Angeles Konrad Fischer, Düsseldorf Galerie Yvon Lambert, Paris 1975 Kunsthalle Bern The Museum of Modern Art, Oxford John Weber Gallery, New York Barbara Cusack Gallery, Houston Lisson Gallery, London Galleria Gian Enzo Sperone, Rom Sperone Westwater Fischer Gallery, New York Daniel Weinberg Gallery, San Francisco 1974 Wide White Space, Antwerpen, Belgium Konrad Fischer, Düsseldorf Ace Gallery, Vancouver 1973 Portland Center for the Visual Arts, Oregon Institute of Contemporary Art, Boston Addison Gallery of American Art, Andover Thayer Academy, Braintree, Massachusetts The Museum of Modern Art, New York Max Protetch Gallery, Washington Konrad Fischer, Düsseldorf John Weber Gallery, New York Galleria Gian Enzo Sperone, Torino 1972 Friends of Contemporary Art, Denver John Weber Gallery, New York Janie C. Lee Gallery, Dallas Lisson Gallery, London Konrad Fischer, Düsseldorf 1971 Lisson Gallery, London The St. Louis Art Museum, Missouri Dwan Gallery, New York Locksley-Shea Gallery, Minneapolis Konrad Fischer, Düsseldorf Galerie Yvon Lambert, Paris Wide White Space, Antwerpen Galerie Heiner Friedrich, München 1970 The Solomon R. Guggenheim Museum, New York Ace Gallery, Los Angeles 1969 Haags Gemeentemuseum, Den Haag Konrad Fischer, Düsseldorf Dwan Gallery, New York Wide White Space, Antwerpen, Belgium Galleria Gian Enzo Sperone, Torino 1968 Städtisches Museum Abteiberg, Mönchengladbach Galerie Heiner Friedrich, München Wide White Space, Antwerpen, Belgium Irving Blum Gallery, Los Angeles 1967 Dwan Gallery, Los Angeles Konrad Fischer, Düsseldorf Dwan Gallery, New York 1966 Tibor de Nagy, New York 1965 Tibor de Nagy, New York   GROUP EXHIBITIONS   2012 Ends of the Earth - Land Art bis 1974, Haus der Kunst, München Proteus, Contemporary Art Center Vilnius Sculpted Matter, Paul Kasmin Gallery, New York The Floor Show: Gravity and Materials, Gagosian Gallery, Beverly Hills Glaze, Galerie Chez Valentin, Paris Minimal Myth, Museum Boljmans van Beuningen, Rotterdam Serial Forms, Mitchell-Innes & Nash - West street, New York Sammlung Kunstmuseum Wolfsburg, Kunstmuseum Wolfsburg, Wolfsburg Graphology, the Drawing Room, London Ecstatic Alphabets / Heaps of Language, Museum of Modern Art, New York Rasterfahndung, Das Raster in der Kunst, Kunstmuseum Stuttgart Micro Mania, Gagosian Gallery, Paris The Artists´Postcard Show, Spike Island, Bristol Martin Visser: collector, designer, free spirit, Bonnefantenmuseum, Maasricht Monochrome, SALTS, Birsfelden Spirits Of Internationalism, MuHKA Museum voor Hedendaagse Kunst Antwerpen When Attitudes Became Form, Richard Saltoun, London 2011 Holiday Editions, Paula Cooper Gallery, New York Accomplices, The photographer and the artist around 1970, Museum of Modern Art, Warsaw Arte Povera International, Museo d´arte contemporanea Castello di Rivoli, Turin The Language of Less (Then and Now), Museum of Contemporary Art Chicago Architektonika, Hamburger Bahnhof, Museum für Gegenwart, Berlin Erre, variations labyrinthiques, Centre Pompidou, Metz There are two sides to every coin, and two sides to your face, Galerie Xippas, Paris Der Raum der Linie. Amerikanische Zeichnungen und Skulpturen ab 1960 aus einer Privatsammlung, Pinakothek der Moderne, München Sistemas, Acciones y Procesos. 1965-1975, Fundación PROA, Buenos Aires Distant Star, kurimanzutto, Mexico City Group Show, Barbara Mathes Gallery, New York VAN HORN, Arbeiten aus dem Bleistiftgebiet, VAN HORN, Düsseldorf MMK 1991-2011, 20 Jahre Gegenwart, Museum für Moderne Kunst Frankfurt/Main ARTIST+ARTIST, ROHDE CONTEMPORARY, Copenhagen Palazzo Bembo Personal Structures - 54. Biennale di Venezia, Palazzo Bembo, Venice New Contemporary Galleries, John Caldor Family Collection, Art Gallery of New South Wales, Sydney Off the Wall/Fora da Parede, Museu Serralves, Museu de Arte Contemporânea, Porto Just Minimalist, Vivian Horan Fine Art, New York Works on Paper, Cream Contemporary, Berlin A Sense of Perspective, Tate Liverpool, Liverpool Elemental, Paula Cooper Gallery, New York Compass, Drawings from the Museum of Modern Art New York, Martin Gropius Bau, Berlin Powders, a Phial, and a Paper Book, Marlborough Chelsea, New York Observadores, Revelações, Berardo Museum, Collection of Modern and Contemporary Art, Lisbon Legacy, The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Untitled, Margo Leavin Gallery, Los Angeles Anti/Form, Skulpturen aus der Sammlung des MUMOK, Kunsthaus Graz Sur un Piedestal, Galerie 1900-2000, Paris Drawn/Taped/Burned, Abstraction on Paper, Katonah Museum of Art, Katonah Sculpture In So Many Words, Text Pieces 1960-75, ZieherSmith, New York 2010 Vertically Integrated Manufacturing, Murray Guy, New York Anti Icon, Eaton Fine Arts, West Palm Beach Personal Structures, Time, Space, Existence, Künstlerhaus Thurn & Taxi, Bregenz Mit der Möglichkeit gesehen zu werden, Dorothee und Konrad Fischer: Archiv einer Haltung, Museum Kurhaus Kleve Gwangju Biennale 2010 Museu d'art contemporani de Barcelona DOUBLE ROTATION, Werke aus der Sammlung Lafrenz Neues Museum Weserburg, Bremen Weniger ist mehr, Sammlung Herman und Nicole Daled, Haus der Kunst, München Funktionen der Zeichnung MMK, Frankfurt Aber Schwarz ist doch gar keine Farbe, Konrad Fischer Galerie, Düsseldorf just what is it ... ZKM, Karlsruhe 1969 P.S.1 MoMA Portrait de l’artiste en motocycliste, Portrait of the artist as biker Le Magasin, Grenoble Sculptural Collection, SMAK, Gent Verortungen, Die Frage nach dem Raum in der zeitgenössischen Kunst, Kunstmuseum Wolfsburg New York Without You I'm Nothing, Art and Its Audience, Museum of Contemporary Art Chicago, Chicago BigMinis, Fetishes of Crisis, Musée d'art contemporain, Bordeaux Von Carl Andre bis Gregor Schneider, Dorothee und Konrad Fischer Archiv einer Haltung, Museum Kurhaus Kleve Cosa fa la mia anima mentre sto lavorando?, Civica Galleria d'Arte Moderna di Gallarate Just love me, Musée d’Art Moderne Grand, Duc Jean, Luxembourg Sculpture, Waddington Custot Galleries, London The Good, The Bad & the Ugly, Cultuurcentrum Mechelen Gladstone Gallery, New York, 24th Street, New York Artists at Max’s Kansas City, 1965-1974, Loretta Howard Gallery, New York Group Exhibition, Xavier Hufkens, Brüssel 8th Gwangju Biennale, 10,000 Lives, Gwangju Biennale, Gwangju Sell and Repent, Barbara Mathes Gallery, New York Andre Calder Judd, Van de Weghe Fine Art, New York 25 Jahre Galerie Tschudi, Galerie Tschudi, Zuoz Off the Wall Part 1, Thirty Performative Actions, Whitney Museum of American Art, New York Summer Sale, Drawings, Paintings and Objects, Barbara Mathes Gallery, New York XIV Biennale Internazionale di Scultura di Carrara Calder to Warhol, Introducing the Fisher Collection, San Francisco Museum of Modern Art Wall to Wall, Daniel Weinberg Gallery, Los Angeles Espacio Otro, Galería Cayón, Madrid Beyond Geometry, Cueto Project, New York Free Sol Lewitt, Stedelijk Van Abbemuseum, Eindhoven In-between Minimalisms, Play Van Abbe, Part 2, Time Machines, Stedelijk Van Abbemuseum, Eindhoven In-between Minimalisms & Free Sol Lewitt, Stedelijk Van Abbemuseum, Eindhoven Minimalism, Logic Structure in the Graphic Arts, Worcester Art Museum If My Soul Had A Shape..., Paula Cooper Gallery, New York Funktionen der Zeichnung, Museum für Moderne Kunst, Frankfurt/Main Portrait de l’artiste en motocycliste, Musée des beaux-arts de La Chaux de Fonds, Neuchâtel Aber Schwarz ist doch gar keine Farbe!, Konrad Fischer Galerie, Düsseldorf Konstellationen, Sammeln für ein neues Jahrhundert, Museum Moderner Kunst Stiftung Ludwig, Wien Amor Parvi oder Die Liebe zum Kleinen, Kunstverein Langenhagen Minimal, Conceptual, Art, Jason Rulnick, New York My Funny Valentine, Broadway Gallery, New York Floor Corner Wall, Selected Work from The Rachofsky Collection, Fort Worth Contemporary Arts with words like smoke, Chelsea space, Chelsea College of Art and Design, London Asymmetry, Perry Rubenstein Gallery, 527 West 23 Street, New York Wall & Floor, Galerie Almine Rech, Paris Winter Salon, Björn Ressle Gallery, New York Group Show, Paula Cooper Gallery, New York Galerie Tschudi, Zuoz 2009 Poor. Old. Tired. Horse., ICA London MINIMAL SHIFT Galeria Jana Koniarka, Trnava ONE MORE Thomas Rehbein Galerie, Köln Carl Andre / Melissa Kretschmer, Konrad Fischer Galerie, Düsseldorf TYPED Sadie Coles HQ, London Genau und Anders. Mathematik in der Kunst von Dürer bis Sol LeWitt, MUMOK, Wien Carl Andre / Tim Hawkinson, Arizona State University Art Museum, Tempe / Phoenix Carl Andre, Balthasar Burkhard, Alan Charlton, Richard Long, Galerie Tschudi, Zuoz Group Installation, Margo Leavin Gallery, Los Angeles Twentysix Gasoline Stations ed altri libri d'Artista, Una collezione, Museo Regionale di Messina Collect With Us, Armand Bartos Fine Art, New York 1969, MoMA PS1, New York Schatten & Räume: Drawings, prints, photographs and sculptures from 1909 to 2009, Emmanuel von Baeyer, London Portrait de l’artiste en motocycliste, MAGASIN, Centre National d’art Contemporain de Grenoble Zig Zag, Sperone Westwater Gallery, New York Sothebys, Beyond Limits, Chatsworth House, Derbyshire Spätsommer in der Clarissenstraße, Galerie Hans Mayer, Düsseldorf Weltanschauung Visione Del Mondo, Art Forum Würth Capena Carl Andre, Dan Flavin, Donald Judd, Sol Lewitt, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, New York heart in heart, National Museum of Contemporary Art, Athen arte povera bis minimal, Einblicke in die Sammlung Lafrenz, Museum Wiesbaden Stalke Galleri / Stalke Out Of Space / Artstamp.dk Stalke Up North: ONE Copenhagen La pintura y sus alrededores. En torno a la Galería Nächst St. Stephan de Viena, Palacio de Sástago, Zaragoza Visiones de Confin, Institut Valencià d'Art Modern, Valencia 15_Jahre Sammlung Kunstmuseum Wolfsburg, Gegen den Strich, Kunstmuseum Wolfsburg Palais des Mirages, Mönchehaus Museum Goslar Konzeptuelle Kunst auf Papier, Städtisches Museum Abteiberg, Mönchengladbach The Minimalist Site, Barbara Mathes Gallery, New York Compass in Hand, Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, Museum of Modern Art, New York Don't Think. Feel!, Gallery Yamaguchi Kunst Bau, Osaka The Actuality of the Idea, Stuart Shave, Modern Art, London La Vie Mode D'Emploi, Sutton Lane, Paris Primary Forms: Featuring Annenberg Foundation Acquisitions, Museum of Contemporary Art San Diego A mancha humana , the human stein, Centro Galego de Arte Contemporánea, Santiago de Compostela Notation. Form und Kalkül in den Künsten, Zentrum für Kunst und Medientechnologie Karlsruhe cycle rolywholyover, septième et dernier épisode, musée d´art moderne et contemporain, Geneva Selections, D'Amelio Terras, New York The Third Mind, American Artists Contemplate Asia, Solomon R. Guggenheim Museum, New York Nueva York, El Papel de las Ultimas Vanguardias, Museo de Arte Contemporáneo Esteban Vicente, Segovia Vivre l'art, collection Venet, Espace de l’art concret, Mouans Sartoux Just What Are They Saying..., Jonathan Ferrara Gallery, New Orleans OFF THE WALL, Van de Weghe Fine Art, New York 2008 Carl Andre, Bernd & Hilla Becher, Sol Lewitt, Bridget Riley, Karsten Schubert, London Winter Salon, Works on Paper, Björn Ressle Gallery, New York Basis voor Actuele Kunst, The Return of Religion...The Art of Iconoclasm, Basis voor Actuele Kunst, Utrecht Minimal is More, Gemeentemuseum Den Haag LINES, GRIDS, STAINS, WORDS, Museum Wiesbaden Notation. Kalkül und Form in den Künsten, Berlin Origins, Hudson Valley Center for Contemporary Art, Peekskill TEXT. Drawings, Leo Castelli Gallery, New York An unruly history of the readymade, Galeria de Fundaciíon/Coleccion Jumex, Mexico City MORE THAN WORDS, Von Lintel Gallery, New York Sittenbilder, Galerie Hubert Winter, Wien regarde de toutes tes yeux regarde, Musée des Beaux, Arts de Nantes Daimler Contemporary, Private, Corporate V, Berlin POINT OF NO RETURN, Rubicon Gallery, Dublin Sammlung / Collection, Migros Museum für Gegenwartskunst, Zürich ONE More, In Memoriam, Sol LeWitt, Esbjerg Kunstmuseum Peripheral vision and collective body, Museum für moderne und zeitgenössische Kunst, Bolzano Sol LeWitt x2, Austin Museum of Art Elemental Nature, Nevada Museum of Art, Reno 3D, oeuvres de la collection du FRAC Limousin, Espace culturel François Mitterrand, Perigueux Second Thoughts, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale on Hudson, New York Genau + anders, Mathematik in der Kunst von Dürer bis Sol LeWitt, Museum Moderner Kunst Stiftung Ludwig, Wien Based on Paper, The Marzona Collection, Middlesbrough Institute of Modern Art, Middlesbrough Wood, Paula Cooper Gallery, New York Carl Andre / Tim Hawkinson, Art Museum, Arizona State University Art Museum, Tempe, Arizona Image and After, Kiasma, Museum of Contemporary Art, Helsinki 2007 In memoriam Sol Lewitt, Björn Ressle Gallery, New York SOLO24ORE24STUNDEN, Nuovo Museion, Bozen Personal Structures - Tentoonstelling, Maatschappij arte et amicitiae, Amsterdam Commitment Cultureel Centrum Strombeek, Mechelen, Belgium 21 Years, Arnaud Lefebvre, Paris Oeuvres de la collection Billarant, Dominique Perrault Architecture, Paris A Theater without Theater, Berardo Museum, Collection of Modern and Contemporary Art, Lisbon Die aufregende Kunst des 20. Jahrhunderts, Neue Nationalgalerie, Berlin Deconstructed Geometry, Vivian Horan Fine Art, New York True Romance, Allegorien der Liebe von der Renaissance bis heute, Kunsthalle Wien Japan und der Westen, Die erfüllte Leere, Kunstmuseum Wolfsburg The context was the issue, not the stretcher, André Simoens Gallery, Knokke-Heist Gallery Artists Summer Show, Sadie Coles HQ, London Klio, Eine kurze Geschichte der Kunst in Euramerika nach 1945, ZKM, Karlsruhe SCALE…scale, Anthony Meier Fine Arts, San Francisco Le cinque anime della scultura, Centro Sperimentale per le Arti Contemporanee, Caraglio A theatre without theatre, Museu d´Art Contemporani de Barcelona Paper, Featuring traditional and innovative uses of the medium, Fisher Landau Center For Art, New York The Shapes of Space, Solomon R. Guggenheim Museum, New York Das Schwarze Quadrat. Hommage an Malewitsch, Gründungsbau, Hamburger Kunsthalle Group Show, Galerie Almine Rech, Paris Minimal, Galería Elvira González, Madrid 2006 Inventur Werke aus der Sammlung Herbert, Kunsthaus Graz Alfonso Artiaco Galleria with: Melissa Kretschmer, Mary Obering, Doug Ohlson, Napoli Von Carl Andre bis Bruce Nauman Rieckhallen, Hamburger Bahnhof, Berlin Fast nichts Minimalistische Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, Berlin Archisculpture, Kunstmuseum Wolfsburg Elemental Form, L&M Arts, New York Plane/Figure, Amerikanische Kunst aus Schweize Privatsammlungen und aus dem Kunstmuseum Winterthur Minimalism: On and Off Paper, Vivian Horan, New York Small works, Arnaud Lefebvre, Paris DEDICA, Palazzo delle arti, Napoli Galerie Tschudi, Zuoz Nothing and everything, Fraenkel Gallery, San Francisco Word Sculpture, Tate Modern, London Gegen Kandinsky, Museum Villa Stuck, München regard 02 : minimalismes, Espace de l’art concret, Mouans Sartoux The Francois Pinault Collection, A Post-Pop selection, Palazzo Grassi, Francois Pinault Foundation, Venice busy going crazy. the Sylvio Perlstein collection, La Maison Rouge, Paris Modulated Abstraction, Brooke Alexander Editions, New York Elemental Form, L&M Arts, New York DEFINING THE CONTEMPORARY, Whitechapel Art Gallery, London Ideal City, Invisible Cities, Brandenburgischer Kunstverein, Potsdam Selections from the Collection of Edward R. Broida, The National Gallery of Art, Washington The Guggenheim Collection, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn Groupshow, Alfonso Artiaco, Naples What happened to Art, Stedelijk Van Abbemuseum, Eindhoven Strange I’ve Seen That Face Before, Städtisches Museum Abteiberg, Mönchengladbach Galerie mit Bleistift Fischer, Papierarbeiten aus den 60er und 70er Jahren, Konrad Fischer Galerie, Düsseldorf The other side, Tony Shafrazi Gallery, New York Where are we going, Palazzo Grassi, Francois Pinault Foundation, Venice Message personnel, Yvon Lambert, Paris Minimal Illusions, Arbeiten mit der Sammlung Rik Reinking, Villa Merkel & Bahnwärterhaus, Esslingen Espai Públic / Dues Audiències, Museu d´Art Contemporani de Barcelona 2005 Skulpturen und Installationen, Galerie Tanit, München Logical Conclusions, 40 Years of Rule Based Ar, PaceWildenstein New York In homage to the memory of Reno Odlin, Galerie Arnaud Lefebvre, Paris Carl Andre, Melissa Kretschmer, 1000 Eventi, Milano Künstlerische Konzepte als Drucksache, Galerie M + R Fricke, Berlin Artists of the gallery, Galerie Tschudi, Glarus Elemental, Walker Art Center, Minneapolis Landscape, Whitney Museum of American Art, New York Leporello, Een reis door de collectie, Stedelijk Museum, Amsterdam EXIT, Ausstieg aus dem Bild, Museum für Neue Kunst, Karlsruhe 1967, Selected works from the MCA Collection, Museum of Contemporary Art Sidney Winter 2005/2006, Galerie Tschudi, Zuoz Carl Andre to Vik Muniz, Gaain Gallery, Seoul Zoo Story, An exhibition of animals in art, for the young and the young at heart, Fisher Landau Center For Art, New York Outdoor Sculpture, Zwirner & Wirth, New York Fast nichts, Minimalistische Werke aus der Friedrich Christian Flick Collection, Hamburger Bahnhof, Berlin Ad Infinitum: The Aesthetics of Repetition II, Haines Gallery, San Francisco Private View 1980-2000, Collection Pierre Huber, Musée cantonal des Beaux-Arts, Lausanne Minimalism and Beyond, The Pulitzer Foundation for the Arts, Saint Louis Evergreen, Inverleith House, Edinburgh Spring Sculpture, Woodward Gallery, New York Five Minimalist Artists, Björn Ressle Gallery, New York Counting the Ways: Word As Image, Fisher Landau Center For Art, New York Installationen und Skulpturen, Galerie Tanit, München 3 x 3, Flavin, Andre, Judd, Leonard & Bina Ellen Art Gallery, Montreal 2004 temoral values von minimal zu video, Städtische Galerie Karlsruhe, ZKM Gebäude, Karlsruhe Opening Die Neue Kunsthalle III, material immaterial, Kunsthalle Mannheim Galerie Tschudi, Zuoz Archiskulptur, Foundation Beyeler, Riehen Specific Objects, The Minimalist Influence, Museum of Contemporary Art San Diego, La Jolla, San Diego Stedelijk Museum Amsterdam at Usce, Museum of Contemporary Art Belgrad Beyond Geometry Experiments in Form 1940s-70s, Los Angeles County Museum of Art Arte y utopía, La acción restringida, Museu d´Art Contemporani de Barcelona, Barcelona Love / Hate. From Magritte to Cattelan, Villa Manin. Centro d'arte contemporanea, Passariano Is One Thing Better Than Another?, Galerie Aurel Scheibler, Köln Modern Means: Continuity and Change in Art from 1880 to the Present, Mori Art Museum, Tokyo Sculptures, Galerie Almine Rech, Paris Singular Forms, Art from 1951 to the Present, Solomon R. Guggenheim Museum, New York Das MoMA in Berlin. Meisterwerke aus dem Museum of Modern Art, New York, Neue Nationalgalerie Shanghai Art Museum, Encounters with Modernism, Stedelijk Museum Amsterdam Carl Andre, Wolfgang Laib, Sol Lewitt, Robert Mangold, Richard Serra, Hiroshi Sugimoto, André Simoens Gallery, Knokke-Heist Archiskulptur, Fondation Beyeler, Riehe Another space, Kröller Müller Museum, Otterlo Minimal & Concept Art, Museum Moderner Kunst, Stiftung Wörlen, Passau The Fine Line, Leslie Tonkonow Artworks + Projects, New York Galerie Tschudi, Zuoz No title, Sprüth Magers, London Group Show, Simon Lee Gallery, London Monocromos, de Malevich al presente, Museo Nacional Centro de Arte Reina Sofía, Madrid County Museum of Art, Los Angeles There's Joy in Repetition, Jensen Gallery, AucklandArt, Addison Gallery of American Art, Andover Carl Andre, Balthasar Burkhard, Alan Charlton, Callum Innes, Richard Long, Ulrich Rückriem, Galerie Tschudi, Zuoz Marfa, Dunn and Brown Contemporary, Dallas Deurle 11/7/73, Museum Dhondt-Dhaenens, Deurle Works, Galerie Baronian Francey, Brüssel 2003 Carl Andre, Balthasar Burkhard, Hamish Fulton, Martina Klein, Richard Long, Not Vital, Galerie Tschudi, Zuoz Temporal Values, von Minimal zu Video, Zentrum für Kunst und Medientechnologie, Karlsruhe Da Modigliani al contemporaneo, Fondazione Cassa di Risparmio di Modena Adorno, Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt/Main Presantation, Margarete Roeder Gallery, New York 3X3, Flavin, Andre, Judd, The Morris and Helen Belkin Art Gallery, Vancouver The Heroic Century, The Museum of Modern Art Masterpieces, 200 Paintings & Sculp, Museum of Fine Arts Houston New Gouaches / Large-Scale Sculpture, Paula Cooper Gallery, New York A Simple Plan, James Cohan Gallery, New York In full view, Andrea Rosen Gallery, New York Minimal, Kröller Müller Museum, Otterlo Gelijk het leven is, Stedelijk Museum voor Actuele Kunst, Gent The Stage of Drawing: Gesture & Act, Selected from the Tate Collection Museum of Contemporary Art Sydney Corso Terracciano 56, Alfonso Artiaco, Naples Guest Art. Das Kunsthaus mit Leihgaben zu Gast, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zürich Kurpark Bad Homburg, Blickachsen 4, Kurpark Bad Homburg Sculpture, Carré d´art, Musée d´art contemporain de Nîmes International Abstraction, Making Painting Real, Seattle Art Museum HIMMELSCHWER, Transformationen der Schwerkraft, Minoriten Kultur, Graz Drawings of Choice from a New York Collection, Bowdoin College Museum of Art, Brunswick, ME Raid the Icebox, Margo Leavin Gallery, Los Angeles Elemental, Selections from the permanent collection, Walker Art Center, Minneapolis Rendez-vous #4, Collection Lambert, Avignon From Modernism to the Contemporary, 1958-1999, The Allen Memorial Art Museum, Oberlin From Broodthaers to Horn, Stedelijk Van Abbemuseum, Eindhoven Andre, Becher, Buren, Flavin, Lewitt, Schoonhoven, Serra, Zorio Galerie Baronian Francey, Brüssel Carl Andre, Balthasar Burkhard, Hamish Fulton, Martina Klein, Richard Long, Not Vital, Galerie Tschudi, Zuoz Temporal Values von Minimal zu Video, Zentrum für Kunst und Medientechnologie Karlsruhe Da Modigliani al contemporaneo, Scultura dalle collezioni Guggenheim, Fondazione Cassa di Risparmio di Modena Adorno, Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt/Main Presantation, Margarete Roeder Gallery, New York 3X3 Flavin, Andre, Judd, The Morris and Helen Belkin Art Gallery, Vancouver The Heroic Century: The Museum of Modern Art Masterpieces, 200 Paintings & Sculp, Museum of Fine Arts Houston New Gouaches / Large-Scale Sculpture, Paula Cooper Gallery, New York A Simple Plan, James Cohan Gallery, New York In full view, Andrea Rosen Gallery, New York Minimal, Kröller Müller Museum, Otterlo Gelijk het leven is, Stedelijk Museum voor Actuele Kunst, Gent The Stage of Drawing: Gesture & Act, Selected from the Tate Collection Museum of Contemporary Art Sydney Corso Terracciano 56, Alfonso Artiaco, Naples Guest Art. Das Kunsthaus mit Leihgaben zu Gast, Haus Konstruktiv, Stiftung für konstruktive und konkrete Kunst, Zurich Kurpark Bad Homburg, Blickachsen 4, Kurpark Bad Homburg Sculpture, Carré d´art, Musée d´art contemporain de Nîmes International Abstraction, Making Painting Real, Seattle Art Museum, HIMMELSCHWER, Transformationen der Schwerkraft, Minoriten Kultur, Graz Himmelsschwer, Transformationen der Schwerkraft, Landesmuseum Joanneum / Volkskunde, Graz Drawings of Choice from a New York Collection, Bowdoin College Museum of Art, Brunswick Raid the Icebox, Margo Leavin Gallery, Los Angeles Elemental, Selections from the permanent collection, Walker Art Center, Minneapolis Rendez vous #4, Collection Lambert, Avignon From Modernism to the Contemporary, 1958-1999, The Allen Memorial Art Museum, Oberlin From Broodthaers to Horn, Stedelijk Van Abbemuseum, Eindhoven Andre, Becher, Buren, Flavin, Lewitt, Schoonhoven, Serra, Zorio, Galerie Baronian Francey, Brüssel 2002 Das Museum, die Sammlung, der Direktor und seine Liebschaften, Museum für Moderne Kunst, Frankfurt/Main Pièces de collection, oeuvres contemporaines, Ecole Supérieure des Beaux-Arts de Nîmes, Hôtel Rivet, Nîmes Nouvelle Simplicité, Espace de l’art concret, Mouans Sartoux GCarl Andre und Melissa Kretschmer, Galerie Tschudi, Glarus RETROSPECTACLE: 25 Years of Collecting Modern and, Denver Art Museum Von ZERO bis 2002, Zentrum für Kunst und Medientechnologie Karlsruhe Aspects of Color, Anthony Meier Fine Arts, San Francisco Drawings of Choice from a New York Collection, Krannert Art Museum, Champaign Daimler Contemporary, Private / Corporate, Daimler Contemporary, Berlin American Beauty, Annely Juda Fine Art, London COPY, Andrew Roth Gallery, New York Neue Arbeiten aus Holz/LAWRENCE WEINER, PREPARATIONS FOR THE OPERA, Konrad Fischer Galerie, Düsseldorf Galerie Tschudi, Zuoz Minimal art and Mondriaan, Gemeentemuseum Den Haag Reflections, Monika Sprüth Philomene Magers, München Passenger, The Viewer as Participant, Astrup Fearnley Museet for Moderne Kunst, Oslo Minimal Maximal, National Museum of Contemporary Art Korea, Gwacheon 2001 Marzona Villa Manin - a private collection, Codroipo/Udine, Italy, a section of La Biennale di Venezia ART WORKS - Sammlung Marzona - Kunst um 1968, Kunsthalle Bielefeld Ornament und ABSTRAKTION, Fondation Beyeler, Basel Monet'’s Legacy. Series Order and Obsession, Hamburger Kunsthalle Probation Area, Sammlung Marzona, Nationalgalerie Berlin im Hamburger Bahnhof, Berlin à fur et à mesure, Collection Jean-Philippe & Françoise Billarant, Espace de l’Art Concret, Château de Mouans-Sartoux, Provence Alpes Côte d’Azur Carl Andre, Alan Charlton, Niele Toroni, Centre d'Art Neuchâtel Galerie Tschudi, Glarus New Collection, Galerie Achim Kubinski, Berlin A defining generation. Then and Now. 1961 and 2001, The Rose Art Museum Monets Vermächtnis, Serie, Ordnung und Obsession, Hamburger Kunsthalle Carl Andre, Sol LeWitt & Joel Shapiro, Paula Cooper Gallery, New York Artcité, Quand Montréal devient musée, Musée d´art contemporain de Montréal Minimalismos. Un signo de los tiempos, Museo Nacional Centro de Arte Reina Sofía MNCARS, Madrid La Percezione dello spazio, Palazzo Forti, Galleria d'Arte Moderna e Contemporanea, Verona Works on Paper, Victoria Miro Gallery, London Minimal Maximal, National Museum of Modern Art Kyoto Mimal, Zwirner & Wirth, New York Ornament und Abstraktion, Fondation Beyeler, Riehen Drawing is Another Kind of Language, The Contemporary Museum Honolulu Für Hanne, Galerie Crone, Berlin Selections from the Extended Collection, Solomon R. Guggenheim Museum, New York Carl Andre and Alan Saret, James Cohan Gallery, New York Minimal Maximal, Fukuoka Art Museum Weiss, Museum für Gegenwartskunst, Emanuel Hoffmann-Stiftung, Basel 2000 Hanne Darboven, 9 x 11 = 99, contextual, Carl Andre & Sol Lewitt, Konrad Fischer Galerie, Düsseldorf Changing Perceptions, The Panza Collection at the Guggenheim Museum Bilbao Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects, Casino Luxembourg, Luci in galleria, Da Warhol al 2000, Gian Enzo Sperone. 35 anni di mostre, Palazzo Cavour, Turin Percepciones en transformación, La Colección Panza del Museo Guggenheim Bilbao, Museo Guggenheim de Arte Moderno y Contemporáneo Art concret, Espace de l’art concret, Mouans Sartoux Art at Work, Forty Years of the Chase Manhattan Collection, Queens Museum of Art, New York Carl Andre / Ingo Meller, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Wien Group Exhibition, Four Sculptures, D'Amelio Terras, New York Carl Andre and Joseph Hughes,Takada Gallery, San Francisco 1999 Auffrischender Wind aus wechselnden Richtungen / Internationale Avantgarde seit 1960, Die Sammlung Paul Maenz, Neues Museum, Kunstsammlungen zu Weimar White Fire, Amerikanische Kunst 1959-1999 in Basel, Museum für Gegenwartskunst, Basel Gesammelte Werke 1, Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg The American Century, Part II, Whitney Museum of American Art, New York Test Site, MassMoCA, North Adams Sculpture and Sculptors' Drawings, Paula Cooper Gallery, New York Carl Andre, Cerith Wyn Evans, Isa Genzken, Manfred Pernice, Andreas Slominski, Galerie NEU, Berlin Alchemies of the Sixties. From the Rose Art Museum Permanent Collection, The Rose Art Museum, Waltham U.S. Classics, Galerie Tanit, München Minimalia, Sean Kelly Gallery, New York Test Site, Massachusetts Museum of Contemporary Art, North Adams Minimal Maximal, Centro Galego de Arte Contemporánea, Santiago de Compostela Art at Work, Forty Years of the Chase Manhattan Collection Contemporary Arts Museum Houston, Houston Minimal Maximal, Staatliche Kunsthalle Baden Baden A Meditation on the Year 1960, D'Amelio Terras, New York 1998 le trésor, le consortium, Dijon horizontal, vertikal, Das Museum für Moderne Kunst, Frankfurt am Main The Guggenheim Museums and the Art of this Century, Inaugural exhibition at the Guggenheim Museum Bilbao MINIMAL MAXIMAL, Neues Museum Weserburg Bremen Sydney Biennial, Sydney Centre de la Vieille Charité and MAC, galeries contemporaines des musées de Marseille Rendezvous, Masterpieces from the Centre Georges Pompidou and The Guggenheim Museums, The Solomon R. Guggenheim Foundation, New York Amnesty International Benefit Drawing Show, Paula Cooper Gallery, New York Großvater, Vater, Sohn, Museum Junge Kunst, Frankfurt / Oder Gesammelte Werke 1, Zeitgenössische Kunst seit 1968, Kunstmuseum Wolfsburg 11th Biennale of Sydney 1998, Biennale of Sydney A Choice from the Collection, Stedelijk Van Abbemuseum, Eindhoven Travel and Leisure, Paula Cooper Gallery, New York Sculpture, Rhona Hoffman Gallery, Chicago Galerie Tschudi, Glarus 1997 Winter Group Exhibition, The Pace Gallery, 32 East 57th Street, New York Le bel aujourd, Institut d'art contemporain Villeurbanne/Rhône-Alpes, Villeurbanne Maxwell's Demon, Margo Leavin Gallery, Los Angeles On The Edge: Contemporary Art from the Werner and Elaine Dannheisser Collection, Museum of Modern Art, New York A Lasting Legacy: Selections From The Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles One Line Drawing, Ubu Gallery, New York Summer Show '97, The Pace Gallery, 32 East 57th Street, New York Die Erste Sammlung Zu Gast Im Kunsthaus Mürzzuschlag, Kunsthaus Muerz, Mürzzuschlag Skulptur. Projekte in Münster 1997, Skulptur Projekte Münster Notfalls leben wir auch ohne Herz, Kunsthalle wien project space karlsplatz, Wien Inaugural Exhibition of Hamburger Kunsthalle, Galerie der Gegenwart, Hamburg L’Art de Collectionner, Palais des Beaux Arts, Brüssel Die Epoche der Moderne, Kunst im 20. Jahrhundert, Martin-Gropius-Bau, Berlin, travels to the Royal Academy of Arts, London (American Art in the 20th Century: Painting and Sculpture) The View from Denver, Museum of Modern Art, Wien Laying Low, Kunstnernes Hus, Oslo Serial Attitude, Addison Gallery, Andover Sleeping Beauty, Van Abbemuseum Eindhoven Auguste Rodin, Die Bürger von Calais, Werk und Wirkung. Skulpturenmuseum Glaskasten Marl travels to Musée Royal de Mariemont, Belgium 1996 Stiftung Fröhlich, Sammlungsblöcke, Württembergischer Kunstverein, Stuttgart Summershow, Konrad Fischer Galerie, Düsseldorf Œuvres phares , peintures et sculptures majeures, Musée d´art contemporain de Montréal Gray Matter, Mark Moore Gallery, Santa Monica Op Losse Schroeven, Situaties en Cryptostructuren, Stedelijk Museum Amsterdam Colección Permanente. Novas Incorporacions, Colección Fundación ARCO, CGAC, Santiago de Compostela Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, Solomon R. Guggenheim Museum New York Wide White Space, Une histoire de l'art des années 60/70, MAC, galeries contemporaines des musées de Marseille The Froehlich Collection, Tate Gallery, London, travels to Staatsgalerie and Württemberg Kunstverein Stuttgart/Kunsthalle Tübingen, to Hamburg and Wien Chimériques polymères, Le Plastique dans l'Art du XXème Siècle, Musée d'Art Moderne et d'Art Contemporain, Nice Blurring the Boundaries, Installation Art 1969-1996", Museum of Contemporary Art, San Diego 1995 Main Stations, Nouveaux Départs Dans L'art Depuis 1950, Casino Luxembourg, Forum d'art contemporain, Luxembourg Au rendez vous des amis, coll. A. L'H., musée d´art moderne et contemporain, Geneva 25 Years, An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles Galerie Tschudi, Glarus Abstand und Nähe, Prospect ‘68–‘69–’71 In Düsseldorf, Galerie Bugdahn und Kaimer, Düsseldorf Masterpieces from the Solomon R. Guggenheim Museum’s Panza Collection, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on-Hudson, New York Wide White Space, Internationale Kunst 1966-1976, Kunstmuseum Bonn Ix, ALDEBARAN, Espace Vigneron, Baillargues Revolution: Art of the Sixties from Warhol to Beuys, Museum of Contemporary Art, Tokyo A Passion for the New Art in Tel Aviv Collections, Museum of Art Entr'Acte 4, Van Abbemuseum Eindhoven Passions Privées, Musée d'Art Moderne de la Ville de Paris 1994 DRAWINGROOM, Zeichnungen und Skulpturen aus der Sammlung Speck, Neue Galerie am Landesmuseum, Joanneum, Graz Contemporary Art from the Collection of the Federation of Migros Cooperatives, Museo Cantonale d'Arte, Lugano Till Brancusi, Malmö Konsthall, Malmö Minimal Art?, Hallen für neue Kunst, Schaffhausen 30 Years, The Aldrich Museum of Contemporary Art, Ridgefield Tuning Up, Kunstmuseum Wolfsburg From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington Zimmer, in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Basel Art Américain: Les Années 60-70, Musée d'Art Moderne Saint-Etienne Wide White Space 1966-1976, Palais des Beaux-Arts, Brussels, travelled to Kunstmuseum Bonnand, Marseille vue du collectionneur, L'Espace de l'Art Concret, Château de Mouans, Côte d'Azur Kunst in Frankfurt, Das Museum für Moderne Kunst und die Sammlung Ströher, Museum für Moderne Kunst, Frankfurt a.M, at Jahrhunderthalle Hoechst Sculpture, Anthony d'Offay Gallery, London Vue du collectionneur, Espace de l’art concret, Mouans Sartoux From Minimal to Conceptual Art, The National Gallery of Art, Washington Die Erste Sammlung, Von 1988 Bis 1994, Positionen Aktueller Kunst, xhibit, Ausstellungsräume der Akademie der bildenden Künste Wien After and Before, The Renaissance Society at The University of Chicago 1993 Oeuvres choisies dans la collection du FRAC Rhône, Alpes, Le Creux de l´enfer, centre d´art contemporain, Thiers Minimal, Galerie Eugen Lendl, Graz On the Road: Selections from the Permanent Collecton of the Museum of Contemporary Art, San Diego Shapes and Positions, Museum Fridericianum, Kassel Carl Andre, Rosemarie Castoro, Galerie Arnaud Lefebvre, Paris Oeuvres du Patrimoine Contemporain Régional, Le Consortium, Dijon zum Buch, Konrad Fischer, Changing Group Show Amerikanische Kunst im 20. Jahrhundert, Martin Gropius Bau, Berlin, and as American Art in the 20th Century: Painting and Sculpture, at Royal Academy of Arts, London Carl Andre, Sol LeWitt, Yvon Lambert, Paris The Collection, Stedelijk Van Abbemuseum, Eindhoven Early Minimal Art Masterworks, John Weber Gallery, New York 25 Years (Part I), Paula Cooper Gallery, New York 1992 1968, Le Consortium, Dijon Minima(a)l, Museum van Hedendaagse Kunst, Citadelpark, Gent The Living Object, The Art Collection of Ellen H. Johnson, Allen Memorial Art Museum, Oberlin College, Oberlin Material Matters, Fisher Landau Center New York Schwerpunkt Skulptur, Kaiser-Wilhelm-Museum, Krefeld Manifeste, Musée d'art moderne, Centre Georges Pompidou, Paris From Brancusi to Bourgeois. Aspects of the Guggenheim Collection, Opening of the SoHo Branch of the Guggenheim Museum, New York Tropismes, Collecció d'Art Contemporani Fundació LA CAIXA Shapes and Positions, Kunsthalle Ritter Klagenfurt, travels to Kassel Sechs Künstler Sechs Räume, Das Museum für Moderne Kunst, Frankfurt am Main at Jahrhunderthalle Hoechst 1991 Sculpture Installation, Margo Leavin Gallery, Los Angeles Bronze, Steel, Stone, Wood, Three Installations of Sculpture, Anthony d'Offay Gallery, London Immaterial Objects, Works from the Permanent Collection of the Whitney Museum of American Art, Henry Art Gallery, Seattle Andre, Judd, LeWitt, Margo Leavin Gallery, Los Angeles Postwar Sculpture from the Collection, Albright-Knox Art Gallery, Buffalo, New York Betekende Ruimte/Designated Space, Museum Dhondt-Dhaenens, Belgium 8 Young Artists Then and Now (1964 - 1991), The Bertha & Karl Leubsdorf Art Gallery, New York Group Exhibition, Hallen für Neue Kunst, Schaffhausen The Transparent Thread: Asian Philosophy in Recent American Art, Blaffer Gallery, Houston SELECTION, FAE Musée d'Art Contemporain, Pully/Lausanne L'Espai i la Idea, Fundació LA CAIXA, Barcelona Een keuze uit de eigen collectie minimale kunst uit de jaren zestig en zeventig, Stedelijk Van EAbbemuseum, Eindhoven Denk-Bilder / Kunst der Gegenwart 1960 - 1990, Kunsthalle der Hypo-Kulturstiftung München and at Von der Heydt-Museum Wuppertal Height x Length x Width: Contemporary Sculpture from the Weatherspoon Collection, Weatherspoon Art Gallery, Greensboro Sammlung Lafrenz, Neues Museum Weserburg, Bremen 1990 Zeichnungen und Skulpturen, Galerie Hubert Winter, Wien American Masters of the 60's, Tony Shafrazi Gallery, New York Kleinplastiken aus der Sammlung der Nationalgalerie, Kunstforum der Grundkredit Bank, Berlin Fragments, Parts, Wholes; The Body and Culture, White Columns, New York Che fare? Concept Art, Minimal, Arte Povera, Land Art, Collection Marzona, Kunsthalle Bielefeld Grounded: Sculpture on the Floor, University of Michigan Museum of Art, Ann Arbor Um 1968, Konkrete Utopien in Kunst und Gesellschaft, Städt. Kunsthalle Düsseldorf and at Museum für Gestaltung, Zürich Affinities and Intuitions, The Gerald S. Elliot Collection of Contemporary Art, The Art Institute of Chicago Two Decades of American Art, The 60's & 70's, Nassau County Museum of Art, Roslyn Harbor, New York Un Choix d'Art Minimal dans la Collection Panza, Musée d'Art Moderne de la Ville de Paris The Transparent Thread: Asian Philosophy in Recent American Art, Emily Lowe Gallery, Hempstead Minimal Art, The National Museum of Art, Osaka 1989 Carl Andre, Alan Charlton, On Kawara, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Wien Pédagogie!, Institut d'art contemporain Villeurbanne/Rhône-Alpes Capita Selecta, Van Abbemuseum, Eindhoven Minimalism, Tate Gallery, Liverpool Group Exhibition, Hallen für neue Kunst, Schaffhausen Modern Masters '89, Helsingin Taidehalli, Helsinki Three American Sculptors: Andre, Judd, LeWitt, Northern Center for Contemporary Art, Sunderland Bilderstreit, Rheinhallen der Kölner Messe, Köln Carl Andre, Sigmar Polke/Eine Gegenüberstellung, Städtische Galerie im Lenbachhaus, Kunstforum, München Immaterial Objects, organized by the Whitney Museum of American Art; travelled to North Carolina Museum of Art, Raleigh, Albany Museum of Art, Georgia, and San José Museum of Art, San José Einleuchten, Will, Vorstel und Simul in HH, Deichtorhallen Hamburg The Experience of Landscape, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York 1988 Porkkana, kokoelma, nykytaiteen museon puolesta, Kiasma, Museum of Contemporary Art, Helsinki Skulpturen und Bildhauerzeichnungen, Galerie nächst St. Stephan, Rosemarie Schwarzwälder, Wien Sculpture Exhibition, Paula Cooper Gallery, New York Permanent Collection I, La Jolla Museum of Contemporary Art Andre, Beuys, Flavin, Judd, Kounellis, LeWitt, Long, Mangold, Merz, Nauman, Polke Ryman, Weiner, Hallen für neue Kunst, Schaffhausen Arte Minimal, Colección Panza, Centro de Arte Reina Sofía, Madrid Opening of the Sculpture Park, Rijksmuseum Kröller Müller, Otterlo Zeitlos, Hamburger Bahnhof Berlin 20th Anniversary Group Exhibition, Paula Cooper Gallery, New York Abstraction Geometry Painting, Albright-Knox Gallery Buffalo 25th Anniversary Exhibition for the Benefit of the Foundation for Contemporary Performance Arts, Inc., Leo Castelli, New York and Brooke Alexander, New York Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago Balkon mit Fächer, DAAD Berlin, travelled to DuMont Kunsthalle, Köln Now/Then/Again, Dallas Museum of Arts 1987 Group Show, Anthony d'Offay Gallery, London Sculpture of the Sixties, Margo Leavin Gallery, Los Angeles Skulptur. Projekte in Münster 1987, Skulptur Projekte Münster, Münster Art Against Aids, A Benefit Exhibition, Paula Cooper Gallery, New York Andre, Flavin, Judd, LeWitt, Nauman, Serra, Galerie Daniel Templon, Paris About Sculpture, Anthony d'Offay Gallery, London Selection from the Roger and Myra Davidson Collection, Art Gallery of Ontario, Toronto 1967, At the Crossroads, Institute of Contemporary Art, University of Pennsylvania Hallen für neue Kunst, Schaffhausen A Century of Modern Sculpture, The Patsy and Raymond Nasher Collection, Dallas Museum of Art travelled to the National Gallery of Art, Washington Art Against Aids: A Benefit Exhibition, Paula Cooper Gallery, New York Skulptur Projekte in Münster 1987, Münster Fifty Years of Collecting, An Anniversary Selection, The Solomon R. Guggenheim Museum, New York Standing Sculpture, Museo d'Arte Contemporanea del Castello di Rivoli, Torino 1986 Group Exhibition, Paula Cooper Gallery, New York Point, ligne, plan, Musée d´art contemporain de Montréal Gallery Artists, Anthony d'Offay Gallery, London An American Renaissance, Painting and Sculpture Since 1940, Fort Lauderdale Museum of Art, California Definitive Statements, American Art, 1964-66, David Winton Bell Gallery, List Art Center, Brown University, Providence, Rhode Island, travelled to The Parrish Art Museum, Southampton, New York New York '85, ARCA, Marseille Hallen für neue Kunst, Schaffhausen Collection Souvenir, Le Nouveau Musée, Villeurbanne De Sculptura, Wiener Festwochen im Messepalast The Barry Lowen Collection, The Museum of Contemporary Art, Los Angeles Van Abbe Museum Besoker Hovikodden, Henie-Onstad Kunstsenter, Hovikodden qu'est-ce que la sculpture moderne?, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Minimal et Conceptuel, Ecole Régionale des Beaux-Arts Georges Pompidou, Dunkerque Europa-Amerika, Museum Wallraf-Richartz/Museum Ludwig, Köln Contemporary Installation, Museum of Modern Art, New York Contemporary Painting and Sculpture Galleries, Museum of Modern Art, New York Art Minimal II, Musée d'Art Contemporain, Bordeaux Pop Art, Minimal Art, etc.: Artists in Residence in Aspen 1965-1970, The Aspen Art Museum, Colorado 1985 Estructuras Repetitivas, Fundación Juan March, Madrid Group Show, Galerie Max Hetzler, Köln Les vingt ans du Musée à travers sa collection, Musée d´art contemporain de Montréal The Saatchi Collection, London Repetitions, A Postmodern Dynamic, Hunter College Art Gallery, New York Herodotou 2, Dracos Art Center, Athen The Maximal Implications of the Minimal Line, Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, The Bard College Center, Annandale-on-Hudson, New York Minimal Art, A Survey of Early & Recent Works, John Weber Gallery, New York Selection from the William J. Hokin Collection, Museum of Contemporary Art, Chicago Sur/Exposition, Musée des Beaux Arts de Rennes New York '85, ARCA, Marseille Dreissig Jahre durch die Kunst, Museum Haus Lange and Haus Esters, Krefeld Contrasts of Form: Geometric Abstract Art, 1910-1980, Museum of Modern Art, New York Ressemblances/Dissemblances, Musée d'Art Moderne de la Ville de Liège, Belgium Transformation in Sculpture, The Solomon R. Guggenheim Museum, New York 1984 American Sculpture, Margo Leavin Gallery, Los Angeles Carl Andre, Donald Judd, Tony Smith, Paula Cooper Gallery, New York El Arte de Siglo XX en un museo Holandes, Fundación Juan March, Madrid Artists Call Against U.S. Invervention in Central America, Paula Cooper Gallery, New York and Leo Castelli Gallery, New York Collectie Becht, Stedelijk Museum, Amsterdam Carl Andre, Donald Judd, Tony Smith, Paula Cooper Gallery, New York Skulptur im 20. Jahrhundert, Merian-Park, Brüglingen/Basel American Art: Minimal Expression, Tate Gallery, London ROSC/The Poetry of Vision, Dublin Development of Western Sculpture in the Modern Period, Museum of Modern Art, Shiga Hallen für Neue Kunst, Schaffhausen Metals, Modules and Paint, Galerie Maeght LeLong, New York The Pivotal Years, Albright Knox Art Gallery, Buffalo, New York Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Waddington Galleries, London Little Arena, Drawings and sculptures from the collection Adri, Martin and Geert-Jan Visser, Rijksmuseum Kröller-Müller, Otterlo Accrochage 1, Le Nouveau Musée, Villeurbanne Eight Artists from Paula Cooper Gallery, Seibu, The Contemporary Art Gallery, Tokyo American Sculpture, Three Decades, Seattle Art Museum New International Art from the FMC Collection, Acquisitions 1977-1984, Kunsthaus Zürich L'architecte est absent, works from the collection of Annick and Anton Herbert, Stedelijk Van Abbemuseum, Eindhoven Une Collection Imaginaire, Kunstmuseum Winterthur 1983 Artists Choose Artists II, CDS Gallery, New York Minimalism to Expressionism: Painting and Sculpture from the Permanent Collection, Whitney Museum of American Art, New York 17de Biennale voor Beeldhouwkunst, Middelheim Das, was durch Darstellung einen Stillstand andeutet. Sammlung Reiner Speck, Museum Haus Lange and Museum Haus Esters, Krefeld The First Show, Painting and Sculpture from Eight Collections 1940-1980, Museum of Contemporary Art, Los Angeles Artist/Critic, White Columns, New York Floored, Hillwood Art Gallery, C.W. Post Center of Long Island University, Greenvale, NY; travelled to Tyler School of Art, Temple University, Philadelphia Ars 83 Helsinki, The Art Museum of The Atheneum, Helsinki Objects, Structure, Artifice, College of Fine Arts, University of South Florida, Tampa Festival of the Arts, Center for the Arts, Muhlenberg College, Allentown, Pennsylvania Chinese Chance, An American Collection, The Butler Institute of American Art, Youngstown, Ohio Concepts in Construction 1910-1980, Independent Curators, Incorporated, New York Work by Newly Elected Members and Recipients of Honors and Awards, American Academy and Institute of Arts and Letters, New York 1982 Group Show, Margo Leavin Gallery, Los Angeles Works in Wood, Margo Leavin Gallery, Los Angeles documenta 7, Kassel Yvon Lambert Présente 24 Artistes de sa Galerie Chez Jeanne Laffitte, Yvon Lambert, Paris Surveying the Seventies, Whitney Museum of American Art, Fairfield County, Connecticut '60'80 Attitudes/Concepts/Images, Stedelijk Museum Halle 6, Kampnagel-Fabrik, Hamburg Wave Hill 1982, New Perspectives, Wave Hill, The Bronx, New York documenta 7, Kassel Contemporary Outdoor Sculpture at the Guild, Guildwood Hall, Toronto postMINIMALISM, The Aldrich Museum of Contemporary Art, Ridgefield Women Choose Men, AIR Gallery, New York Kunst wird Material, Nationalgalerie, Berlin Minimalism x 4, Whitney Museum of American Art/Downtown Branch, New York The New York School: Four Decades, The Solomon R. Guggenheim Museum, New York Drawings, Models and Sculptures, Fourteen Sculptors, New York Twentieth Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Sciences at Potsdam, New York, travelled to Gallery of Art, University of Northern Iowa, Cedar Falls 1981 New Work, Anthony d'Offay Gallery, London Westkunst, Rheinhallen Messegelände Köln Tracking the Marvelous, Grey Art Gallery, New York University Minimal Art, Fundación Juan March, Madrid Sculptural Density, School of the Visual Arts Museum, New York Carl Andre, Donald Judd, Sol LeWitt, Paula Cooper Gallery, New York Artists for Nuclear Disarmament at the Acme Gallery, London 1980 Andre, Flavin, Judd, Galerie Daniel Templon, Paris Relationships Between Minimal Art and Corporate Design, The Renaissance Society at The University of Chicago Andre, Dibbets, Long and Ryman, Louisiana Museum of Modern Art, Humlebaek Skulptur im 20. Jahrhundert, Wenkenpark, Riehen/Basel ROSC '80, University College, Dublin Reliefs, Formprobleme zwischen Malerei und Skulptur im 20. Jahrhundert, Westfälisches Landesmuseum, Kunsthaus Zürich A.R.E.A. Sculpture: Ward's Island, New York Pier + Ocean, Hayward Gallery, London Explorations in the 70's: Pittsburgh Plan for Art, Pittsburgh Biennale van de Kritiek, International Cultural Center, Antwerpen, Belgium Invitational, Bell Gallery, Brown University, Providence, Rhode Island Sculptural Forms, The Aldrich Museum of Contemporary Art, Ridgefield Carl Andre, Donald Judd, Robert Morris, Sculture Minimal, Galleria Nazionale d'Arte Moderna, Rom Sculpture, Proctor Art Center, Bard College, Annandale-on-Hudson, New York Minimal + Conceptual Art aus der Sammlung Panza, Kunstmuseum Düsseldorf, für Gegenwartskunst, Basel 1979 Skulptur, Kunsthalle Bern Group Exhibition, Leo Castelli Gallery, New York Sculpture on Shoreline Sites, A.R.E.A. Project, Ward's Island, New York Outdoor Sculpture Exhibition, Creedmore Psychiatric Center, Queensvillage, New York On Walks and Travels, Bonnefantenmuseum, Maastricht T, P/Travaux, Practiques à Limoges, Limoges Born in Boston, De Cordova Museum, Lincoln, Massachusetts The Reductive Object, Institute of Contemporary Art, Boston The Minimal Tradition, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut Contemporary Sculpture: Selections from the Collection of the Museum of Modern Art, Museum of Modern Art, New York Skulptur: Matisse, Giacometti / Judd, Flavin, Andre, Long, Kunsthalle Bern 1978 Carl Andre, Robert Hunter, Institute of Modern Art, Brisbane La Biennale di Venezia 1978. From Nature to Art, from Art to Nature, La Biennale di Venezia Aspekte der 60er Jahre, Nationalgalerie Berlin, Staatliche Museen Preussischer Kulturbesitz, Berlin Numerals 1924-1977, Leo Castelli Gallery, New York Hurlbutt Gallery, Greenwich Library, Connecticut Aspects of Minimal Art, Julian Pretto Gallery, New York Door beeldhouwers gemaakt. Made by Sculptors, Stedelijk Museum, Amsterdam Grids, Pace Gallery, New York American Art 1950 to the Present, Whitney Museum of American Art, New York Selections, Historical and Contemporary Objects, Hartnell College Gallery, Salinas, California 1977 Wood, Nassau County Museum of Art, Roslyn, New York Paris - New York, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Skulptur. Ausstellung in Münster, Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster View of a Decade, Museum of Contemporary Art, Chicago New York: The State of Art, New York State Museum, Albany Miniature, Fine Arts Gallery, California State University, Los Angeles Works from the Collection of Dorothy and Herbert Vogel, University of Michigan Art Museum, Ann Arbor Ideas in Sculpture 1969-77, Renaissance Society, The University of Chicago Contemporary Masters, Rose Art Museum, Brandeis University American Art in Belgium, Palais des Beaux Arts, Brüssel American Drawn and Matched, Museum of Modern Art, New York Skulptur Projekte Münster 77, Skulptur Projekte Münster documenta 6, Documenta, Kassel Sculpture Paintings Drawings, Rhona Hoffman Gallery, Chicago 1976 New York in Europa, Neue Nationalgalerie, Berlin Räume Beleg II, Städtisches Museum Abteiberg, Mönchengladbach Drawing Now: 1955-1975, Museum of Modern Art, New York Rooms PS 1, Institute for Art and Urban Resources, PS 1, Long Island City Carl Andre, Richard Long and Barry LeVa, Corcoran Gallery of Art, Washington Seventy-second American Exhibition, The Art Institute of Chicago 200 Years of American Sculpture, Whitney Museum of American Art, New York New York-Downtown Manhattan: SoHo, Akademie der Künste, Berlin Räume, Städtisches Museum, Mönchengladbach Action and Reaction, Guggenheim Museum New York Andre/Flavin/Judd/LeWitt, The Museum of Modern Art, Oxford ProspectRetrospect / Europa 1946-1976, Städtische Kunsthalle Düsseldorf 1975 The Condition of Sculpture. A Selection of Recent Sculpture by Younger British and Foreign Artists, Hayward Gallery, London One Hundred, Smith College Museum of Art, Northampton Language and Structure in North America, Kensington Art Association, Toronto The New Image, The High Museum of Art, Atlanta, Georgia Masterworks in Wood: The Twentieth Century, Portland Art Museum Sculpture: American Directions 1974-75, National Collection of Fine Arts, Washington Je/Nous, Musée d'Ixelles, Brüssel Locate/Order/Measure, University of Colorado Art Galleries, Boulder 1974 Andre/Broodthaers/Buren/Burgin/Gilbert and George/On Kawara/Long/Richter, Palais des Beaux Arts, Brüssel Art Now '74, John F. Kennedy Center for the Performing Arts, Washington Painting and Sculpture Today 1974, Indianapolis Museum of Art, and the Taft Museum Cincinnati, Ohio Sculpture Now: Dissolution or Redefinition, Royal College of Art, London Painting, Drawing and Sculpture in the 60's and 70's from the Herbert and Dorothy Vogel Collection, Institute of Contemporary Art, Philadelphia; travelled to Cincinnati Tenth Anniversary Exhibition, The Aldrich Museum of Contemporary Art, Ridgefield Sandra and Breck Caldwell Collection, University Art Museum, University of California Der Konstruktivismus und seine Nachfolge, Beispiele aus dem Bestand der Staatsgalerie Stuttgart und ihrer Graphischen Sammlung, Staatsgalerie Stuttgart Chile Emergency Exhibition, 383 West Broadway New York, organized by the U.S. Committee for Justice to Latin American Political Prisoners Choice Dealers/Dealer's Choice, The New York Cultural Center, New York Interventions in Landscape, Massachusetts Institute of Technology, Cambridge Kunst über Kunst, Kölnischer Kunstverein, Köln 1973 Diagrams & drawings, Kunstmuseum Basel Whitney Biennial 1973, Whitney Biennial, New York Contemporanea. Incontri Internationali d'Arte, Parcheggio di Villa Borghese, Rom Some Recent American Art, The National Gallery of Victoria, Melbourne, travelled to Perth, Sydney, Adelaide 1973 Biennial Exhibition, Contemporary American Art, Whitney Museum of American Art, New York Bilder, Objekte, Filme, Konzepte: Sammlung Herbig, Städtische Galerie im Lenbachhaus, München American Art, Third Quarter Century, Seattle Art Museum, Washington Works from the Early 60's, Paula Cooper Gallery, New York American-Type Sculpture Part II, Visual Arts Gallery, New York 1972 Yvon Lambert Actualité d'un Bilan, Yvon Lambert, Paris Windham College, Putney, Vermont Grids, Institute of Contemporary Art, University of Pennsylvania Actualité d'un Bilan, Galerie Yvon Lambert, Paris Painting and Sculpture 1972, Storm King Art Center, Mountainville, New York Recent American Painting and Sculpture in the Albright-Knox Art Gallery, Albright-Knox Art Gallery, Buffalo, New York 1971 Sonsbeek '71, Buiten de Perken, Park Sonsbeek, Arnhem Second Indian Triennial, New Delhi, India Sixth Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York 1970 955,000, Vancouver Art Gallery, and Student Union Building Gallery, Vancouver L'Art Vivant aux Etats-Unis, Foundation Maeght, St. Paul-de-Vence Between Man and Matter, Tenth Biennale Tokyo, Tokyo Metropolitan Art Gallery, travelled to Kyoto and Nagoya Eisen- und Stahlplastik 1930-70, Württembergischer Kunstverein, Stuttgart American Artists of the Nineteen Sixties, Boston University Art in Process IV, Finch College Museum of Art, New York Sixty-ninth American Exhibition, The Art Institute of Chicago Language IV, Dwan Gallery, New York Information, The Museum of Modern Art, New York; travelled to Kyoto and Nagoya, Japan 1970 Annual Exhibition, Contemporary American Sculpture", Whitney Museum of American Art, New York Unitary Forms, Minimal Sculpture by Carl Andre, Don Judd, John McCracken, Tony Smith, San Francisco Museum of Modern Art Fünf Künstler in fünf Räumen, Kunst- und Museumsverein Wuppertal Bildnerische Ausdrucksformen 1960-1970. Sammlung Karl Ströher, Hessisches Landesmuseum Darmstadt American Art in 1970, The Art Museum, Princeton, New Jersey American Painting and Sculpture 69th Annual, The Art Institute of Chicago 1969 When Attitudes Become Form, Institute of Contemporary Arts London When Attitudes become Form, Museen Haus Lange / Haus Esters, Krefeld Sammlung 1968 Karl Ströher, Kunsthalle Düsseldorf When Attitudes Become Form, Kunsthalle, Bern Institute of Contemporary Arts, London Op Losse Schroeven. Square Pegs in Round Holes, Stedelijk Museum, Amsterdam Andre, Flavin, Judd, LeWitt and Morris, Hetzel Union Building Gallery, Pennsylvania State University Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York Five Sculptors: Andre, Flavin, Judd, Morris, Serra, Art Gallery/University of California Language III, Dwan Gallery, New York 1968 Art Of The Real, Museum of Modern Art, New York Minimal Art, Haags Gemeentemuseum, Den Haag, The Netherlands, travelled to Kunsthalle Düsseldorf and Akademie der Künste Berlin Exterior Situations, Windham College, Putney, Vermont Sammlung 1968 Karl Ströher, Neue Pinakothek, München, travelled to Kunstverein Hamburg, Nationalgalerie Berlin, Städtische Kunsthalle Düsseldorf and Kunsthalle Bern documenta 4, Kassel Private Visiting Artists Program, Aspen, Colorado Prospect 68, Städtische Kunsthalle, Düsseldorf Cool Art 1967, Aldrich Museum of Contemporary Art, Ridgefield Carl Andre/Robert Barry/Lawrence Weiner, Bradford Junior College, Massachusetts 3 Blind Mice/de Collecties: Visser, Peeters, Becht, Stedelijk Van Abbemuseum, Eindhoven Benefit for the Student Mobilization Committee to End the War in Vietnam, Paula Cooper Gallery, New York Language II, Dwan Gallery, New York Directions 1: Options, Milwaukee Art Center, Wisconsin The Art of the Real: USA 1948-1968, The Museum of Modern Art New York, travelled to The Tate Gallery London, Centre National d'Art Contemporain Paris, and Kunsthaus Zürich, Switzerland Earthworks, Dwan Gallery, New York 1967 Monuments, Tombstones and Trophies, Museum of Contemporary Crafts, New York American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art Language to be Looked at and/or Things to be Read, Dwan Gallery, New York A Romantic Minimalism, Institute of Contemporary Art, Philadelphia 10, Dwan Gallery, Los Angeles Normal Art, Lannis Museum of Normal Art, New York Art in Series, Finch College Museum of Art, New York 1966 Primary Structures: Younger American and British Sculptors, The Jewish Museum, New York Multiplicity, Institute of Contemporary Art, Boston 10, Dwan Gallery, New York 1965 Shape and Structure, Tibor de Nagy Gallery, New York 1964 Eight Young Artists, The Hudson River Museum, Yonkers, New York and Bennington College, Vermont   PUBLICATIONS   ARTIST BOOKS: Andre, C.: 15 years: Scenes & Variations, Galerie Arnaud Lefebvre, Paris 2004. Andre, C.: STILLANOVEL, Anthony d'Offay, London / Paula Cooper, New York 1992. Andre, C.: Attica Book. New York 1972. Andre, C: The Xerox Book. New York 1968. Andre, C.: AMERICA DRILL poem, 1963. MONOGRAPHS: Museum Kurhaus Kleve / Museion, Bozen/Bolzano: Carl Andre. Verlag Walther König, Köln 2011. Rider, A.: Carl Andre: things in their elements. Phaidon Press, London 2011. Feldman, P. / Alistair, R. / Schubert, K.: About Carl Andre: critical texts since 1965, Ridinghouse, London, 2006. CARL ANDRE BLACKHOLES KUNSTHALLEBASEL: Kunsthalle Basel, Schwabe AG Verlag-Basel, 2006. Kretschmer, M.: Carl Andre: black wholes. Schwabe, Basel 2005. Meewis, M.: CARL ANDRE WORKS ON LAND. Openluchtmuseum voor beldhouwkunst Middelheim, Belgium, 2001. Stommeln Synagogue: CARLANDRECARLANDRE. Pulheim 1997. Musée Cantini: SCULPTOR 1997 CARL ANDRE MARSEILLE. Musées de Marseille 1997. Meyer-Hermann, E.: CARL ANDRE - SCULPTOR 1996, Stuttgart, 1996. Waga, U.: CARL ANDRE, WORDS, Sans Titre, 1994. Vestsjaellands Kunstmuseum. Carl Andre, Sculptur & Poesi. Sorø 1991. Haags Gemeentemuseum and Stedelijk Van Abbemuseum: Carl Andre. 1987. State University, The Fine Arts Center Art Gallery: Carl Andre Sculpture. New York 1984. Museum Haus Lange: Carl Andre. House as Organ, Stopped and Unstopped. Krefeld 1981. Stedelijk Van Abbemuseum: Carl Andre: Wood. Eindhoven 1978. The Whitechapel Gallery. Carl Andre Sculpture 1959-1977. London 1978. Addison Gallery of American Art: Carl Andre, Quincy Book, Andover 1973. The Solomon R. Guggenheim Museum: Carl Andre, New York, 1970. Haags Gemeentemuseum: Carl Andre. The Hague 1969. Städtisches Museum Abteiberg: Carl Andre. Text by Andre, C.: Artist Interviews Himself. 1968. The Museum of Modern Art: Andre, Carl. Preface to Stripe Painting, 16 Americans. New York 1959. Kunsthalle Bern: Carl Andre Sculpture, 1975. Portland Center for the Visual Arts. Carl Andre: 144 Blocks and Stones, Portland 1973. Aubusson, B.: Wide White Space. Carl Andre ou le triomphe de l'élémentaire absolu, La Métropole, Antwerp, 1969. ARTICLES / REVIEWS: Macmillan, D.: This is not a pile of bricks. This is poetry, THE SCOTSMAN, Festival Weekend issue, Edinburgh 1998. von Drathen, D.: Carl Andre Sculptor, Kunstforum International, Vol. 134 , March 1996. Nobis, B.: Die Symmetrie des Himmels, Süddeutsche Zeitung, March 7, 1996. Flash Art : Carl Andre At Large, Volume XXIX, March/April 1996. Wagner, T.: Raum und Seele, endlos gefaltet, Frankfurter Allgemeine Zeitung, April 10, 1996. Stoeber, M.: artist Kunstmagazin, May 1996. Gillick, L.: Andre, Carl. AUDIO ARTS Magazine, Volume 16, London, 1996. Kyriacou, S.: Slings and arrows... and outrageous bricks, Contemporary Art, Summer 1996. Batchelor, D.: Carl Andre, Kunstmuseum Wolfsburg, Haus Lange & Haus Esters Krefeld, frieze, #30, September/October 1996. Bode, U.: Der leise Revolutionär, DIE ZEIT, February 1996. Tate Gallery: THE ART MAGAZINE. Tim Marlow, Carl Andre, interview, cover illus. London 1996. Schwabsky, B.: CARL ANDRE. art press, July/August 1995. Landi, A.: From Town House to Warehouse, ARTnews, October 1994. Schwabsky, B.: Carl Andre, Artforum, January 1994. Romer, S.: Carl Andre, Kunstforum, Jan./Feb. 1994. Catoir, B.: Kriegstanz auf Papier, Frankfurter Allgemeine Zeitung, January 28, 1994. Lemke, I.: Formen aus Sprache, Süddeutsche Zeitung, 1994. Gardner, J.: Wallpaper Meets Minimalism at Mathes, Art & Architecture, March 1994. Foster, H.: What's Neo about the Neo-Avant-Garde?, #70, October 1994. Landi, A.: From Town House to Warehouse, ARTnews, October 1994. Foster, H.: What's Neo about the Neo-Avant-Garde?, October 1994. New York Times: Art in Review, Cotter, 1992. Baker, K.: Guggenheim Grandeur, Artspace, October 1992. Ardenne, P.: Carl Andre, Yvon Lambert, art press, # 174, November 1992. Janssen, S.: L'Art Contemporain, CARL ANDRE. L'Eventail, Dec. 1991/Jan. 1992. Galerie Montaigne. Virginia Dwan, New York, les Années 60-70. Paris 1991. Bourriaud, N.: Ludwig Wittgenstein and the Art of the 20th Century, Galleries Magazine, December 1989 – January 1990. Hapgood, S.: Remaking Art History, Art in America, Summer 1990. Bourriaud, N.: Ludwig Wittgenstein and the Art of the 20th Century, Galleries Magazine, 1990. Morgan, R. C.: Letter from Europe, Arts, January 1989. Russell, J.: Carl Andre, The New York Times, April 1989. Batchelor, D.: 3000 Years, Artscribe International, Summer 1989. Drathen, D.: Zeitlos, Galeries Magazine, June/July 1988. Mac, A.: Carl Andre, Contemporanea, November/December 1988. Assenmaker, M.: La sculpture de Carl Andre et la Composition de l'Espace de W. Strzeminsky et K. Kobro, Artstudio, Autumn 1987. Januszczak, W.: Bricklaying with Andre, TheGuardian, London, 1986. Panicelli, I. Interview with Carl Andre, Neue Kunst in Europa, Jan./Feb. 1985. Drohojowska, H.: Carl Andre, No Labels, L.A. Weekly, February 1983. Millet, C.: Carl Andre, La sculpture au niveau de l'eau, Art Press, May 1983. Odlin, R.: Rite of Passage, Parnassus, Fall/Winter 1981. Ashbery, J.: Major Andre, New York, April 14, 1980. Baker, K.: Andre in Retrospect, Art in America, April 1980. Sutinen, P. Carl Andre, The Turner of Matter, Willamette Week's Fresh Weekly, August 1980. Hofstadt, A. V. d.: Carl Andre, une simple route', Art Press, April 1979. Blistène, B.: Carl Andre, Flash Art, June/July 1979. Pontbriand, C.: Carl Andre, 14 written answers to questions, Parachute, Winter 1979. Fisher, J.: Carl Andre at the Whitechapel, Artscribe, June 1978. Tuchman, P.: Background of a Minimalist: Carl Andre, Artforum, March 1978. Fuller, P.: Carl Andre on His Sculpture, Art Monthly, May 1978. Fuller, P.: Carl Andre on His Sculpture II, Art Monthly, June 1978. Smithson, R.: Carl Andre He Always Reminded Us of the Questions We Ought to Have Asked Ourselves, Arts Magazine, May 1978. Bourdon, D.: Carl Andre, Arts Magazine, December 1977. Art Monthly : Carl Andre, The Bricks Abstract, October 1976. Carl Andre, Billy Builder, or the Painful Machine, Fall 1976. Morphet, R.: Carl Andre's Bricks, Burlington Magazine, November 1976. Perrone, J.: Carl Andre, Art Versus Talk, Artforum, May 1976. Bourdon, D.: Carl Andre Protests Museological Mutilation, The Village Voice, May 31, 1976. Henry, G.: Views from the Studio, ARTnews, May 1976. Ballatore, S.: Carl Andre on Work and Politics, Artweek, July 1976. Andre, C. / Gilbert-Rolfe, J.: Commodity and Contradiction, or Contradiction as Commodity. October, Summer 1976. Hess, T. B.: Carl Andre Has the Floor, New York, 1976. Art Journal: Versions of Witness, A Note on Sculpture and Scholarship, Carl Andre, Winter 1975/76. Art in America : Carl Andre, Eight Statements, July/August 1975. Grüterich, M.: Carl Andre, Kunsthalle Bern, Studio International, September / October 1975. Art Journal: Andre, Carl. The Role of the Artist in Today's Society, Summer 1975. Gould, A.: Dialogues with Carl Andre, Arts Magazine, May 1974. Lebeer, I.: Carl Andre, L'art Vivant, June 1974. Kuspit, D. B.: Carl Andre at Weber, Art in America, 1974. Van der Marck, J.: Carl Andre at PCVA, Art in America, 1973. Artforum: Andre, Carl. A Note on Bernd and Hilla Becher, December 1972. Oliva, A. B.: Interview with Carl Andre, Domus, October 1972. Develing, E.: Carl Andre: Art as a Social Fact, Arts-Canada, December 1970 / January 1971. Jappe, Georg. Konrad Fischer Interviewed, Studio International, February 1971. Venturi, Luca M. Carl Andre, Flash Art, October/November 1971. Siegel, J.: Carl Andre: Art Worker, Studio International, November 1970. Sharp, W.: Carl Andre, Avalanche, Fall 1970. Schjeldahl, P.: High Priest of Minimal, The New York Times, October 1970. Kramer, H.: Andre Carpets at the Guggenheim, The New York Times, October 1970. Tuchman, P.: American Art in Germany, The History of a Phenomenon, Artforum, November 1970. Develing, E.: Sculpture as Place, Art and Artists, November 1970. Lippard, L.: The Art Workers Coalition, Not a History, Studio International, November 1970. Lippard, L.: The Dilemma, Arts Magazine, November 1970. Lippard, L.: The Artist and Politics: A Symposium, Artforum, September 1970. Tuchman, P.: An Interview with Carl Andre, Artforum, June 1970. Waldman, D.: Holding the Floor, ARTnews, October 1970. Lippard, L.: Time: A Panel Discussion, Art International, November 1969. Leider, Philip. To Introduce a New Kind of Truth, The New York Times, May 1969. Arts Magazine: Carl Andre, Form, Structure, Place, May 1969. Kramer, H.: Andre Carpets at the Guggenheim, The New York Times, October 1970. Sharp, W.: Carl Andre, Avalanche, Fall 1970. Aubusson, B.: Wide White Space. Carl Andre ou le triomphe de l'élémentaire absolu, La Métropole, Antwerp, Belgium, September 1969. Studio International: Andre, Carl. An Opera for Three Voices, April 1969. Arts Magazine: Carl Andre, Form, Structure, Place, May 1969. Leider, P.: To Introduce a New Kind of Truth, The New York Times, May 25, 1969, p. 41, illus. Claura, M.: Andre, Lettres Françaises, October 1968. Junker, H.: The New Sculpture: Getting Down to the Nitty Gritty, Saturday Evening Post, November 1968. Develing, E.: Ideologische Kunst: Minimal Art, Museumjournaal, 1968. Smithson, R.: A Museum of Language in the Vicinity of Art, Art International, March 1968. Claura, M.: Andre, Lettres Françaises, October 1968. Junker, H.: The New Sculpture: Getting Down to the Nitty Gritty, Saturday Evening Post, November 1968. Graham, D.: Carl Andre, Arts Magazine, Mönchengladbach, 1968. Smithson, R.: A Museum of Language in the Vicinity of Art, Art International, March 1968. Chandler, J. / L.: Lucy. The Dematerialization of Art, Art International, March 1968. Smithson, R.: A Sedimentation of the Mind: Earth Projects, Artforum, September 1968. Graham, D.: Carl Andre, Arts Magazine, January, Mönchengladbach 1968. Lippard, L.: Rebelliously Romantic? The New York Times, June 4, 1967. New in New York: Carl Andre, Line Work, Arts Magazine, May 1967. Bourdon D.: Carl Andre, The Razed Sites of Carl Andre, Artforum, October 1966. Bannard, D.: Present-Day Art and Ready-Made Styles, Artforum, December 1966. Bochner, M.: Primary Structures, Arts Magazine, June 1966. Morris, R.: Notes on Sculpture, Part Two, Artforum, December 1966. Bourdon, D.: The Razed Sites of Carl Andre, Artforum, October 1966. Bourdon, D.: Our Period Style, Art and Artists, June 1966. Richard, J.: The Art Shops, The Cool School, The Sunday Times, London, 1966. Rose, B.: Looking at American Sculpture, Artforum, February 1965. Lippard, L.: New York Letter, Art International, September 1965. Rose, B.: ABC Art, Art in America, October/November 1965. Rose, B.: Looking at American Sculpture, Artforum, February 1965. Frank, S.: Carl Andre, Allen Memorial Art Museum Bulletin, Fall 1959. OTHER: Wilson, J.B.: Art workers: radical practice in the Vietnam War era, University of California Press, Berkeley 2009. Eichhorn, M.: The artist's contract: interviews with Carl Andre, Daniel Buren, Paula Cooper, Hans Haacke, Jenny Holzer, Adrian Piper, Robert Projansky, Robert Ryman, Seth Siegelaub, John Weber, Lawrence Weiner, Jackie Winsor, Walther König, Köln 2009. Marlin, C.: Public - Art – Spce: zum öffentlichkeitscharakter der Minimal Art; Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Robert Morris, VDG Verlag, Weimar 2008. Lewis, D.: Inside – Out, Architecure New York City, Charta, Milano 2007. Leemans, K. / Lambrecht, L.: COMMITMENT, De Garage, Grimbergen 2007. Ausstellungen bei Konrad Fischer Oktober 1992 – Oktober 2007. Konrad Fischer Galerie, Düsseldorf, Edition Marzona, Bielefeld 2007. CUTS: Texts 1959-2004 / Carl Andre, Massachusetts Institute Of Technology, 2005. DUE, Carl Andre & Melissa Kretschmer 1000eventi, Milano, 2005. DIALOGUES, Carl Andre & Melissa Kretschmer, 500 copies, co production 1000eventi, Milano, 2005. Glarus & Verlag Buchhandlung Walther König: Carl Andre Glarus, co production: Galerie Tschudi, Köln, 2005. Götz, A. / Jürgens, C.: Minimal Art aus den Sammlungen FER. Fröhlich und Siegfried Weishaupt, Hatje, Ostfildern 2001. Blumenthal, W.: Synagoge Stommeln: art projects, Hatje Cantz, Ostfildern 2000. Banque Bruxelles Lambert: Minimal Art, Andre, Flavin, Judd, LeWitt, Morris. Essay by Christel Sauer, Brüssel 1999. Museum für Gegenwartskunst: White Fire, Amerikanische Kunst 1959-1999, Basel 1999. Burton, S. / Heinz, M.: Painting, Object, film, concept: works from the Herbig Collection, Christie’s, New York 1998. Stommeln Synagogue: The Void Enclosed by the Squares of Three, Four and Five, Pulheim, 1997. Laying Low, Kunstnemes Hus, Oslo, 1997. Rosenthal, M.: Abstraction in the Twentieth Century: Total Risk, Freedom, Discipline, The Solomon R. Guggenheim Foundation, New York 1996. Museum Ludwig. Sammlung Speck. Köln, 1996. Le Thorel-Daviot, P.: Petit Dictionnaire des Artistes Contemporains, Paris, 1996. Crow, T.: The Rise of the Sixties: American and European Art in the Era of Dissent, New York 1996. Mollet-Viéville, G.: Art Minimal & Conceptuel, Genève, 1995. Fineberg, J.: Art Since 1940, Strategies of Being. London 1995. Museum für Moderne Kunst: Kunst in Frankfurt, Das Museum für Moderne Kunst und die Sammlung Ströher, Frankfurt 1995. Musée d'Art Moderne de la Ville de Paris: ARC. Passions Privées, Paris 1995. Stemmrich, G.: ed. Minimal Art - Eine kritische Retrospektive. Dresden/Basel 1995. Essays by Tuchman, P.: Develing, Enno, Reise, Barbara, Leider, Philip, Schjeldahl, Peter, Graham, Dan von Drathen, D.: Carl Andre, Künstler, Kritisches Lexikon der Gegenwartskunst, München 1995. Neue Galerie am Landesmuseum: Joanneum Graz, ed. DRAWINGROOM - Zeichnungen und Skulpturen aus der Sammlung Speck. Graz 1994. Museo Cantonale d'Arte: Contemporary Art from the Collection of the Federation of Migros Cooperatives. 1994. Malmö Konsthall: Till Brancusi: Nastan 20. 1994. The Aldrich Museum of Contemporary Art: 30 Years, Art in the Present Tense, The Aldrich's Curatorial History, Aldrich Museum of Contemporary Art, Ridgefield 1994. Searing, H.: The Andy Warhol Museum, Pittsburgh 1994. Editions Musées de Marseille, Robert Smithson, Marseille 1994. Washington, D.C. National Gallery of Art. From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, 1994. Kunstmuseum Wolfsburg: Tuning Up, 1994. Musée des Beaux Arts. Wide White Space / 1966 - 1976. Brüssel 1994. Jacobson, M.: Art for Work, The New Renaissance in Corporate Collecting, Harvard Business School Press, Boston 1993. Kostelanetz, R.: Dictionary of the Avantgardes, New York 1993. Disch, M.: Carl Andre, temporale, RIVISTA D'ARTE E DI CULTURA, Lugano 1993. Düsseldorf, Ausstellungen bei Konrad Fischer / Oktober 1967 - Oktober 1992. Krefeld 1993. Museum Fridericianum and Kunsthalle Ritter Klagenfurt: Shapes and Positions, Kassel 1993. Dusse, K.: ed., Carl Andre Works in Belgium, Gent, Belgium 1993. Francis, F.: Blake, Nigel; Fer, Briony; Garb, Tamar; Harrison, Charles: Modern Art: Practices and Debates, Modernity and Modernism, Yale University Press, in association with the Open University, 1993. Yale University Press : Modernism in Dispute. Art Since the Forties, 1993. Ausstellungen bei Konrad Fischer / Oktober 1967 - Oktober 1992. Krefeld 1993. Martin Gropius Bau: Amerikanische Kunst im 20. Jahrhundert, and as American Art in the 20th Century: Painting and Sculpture, 1913 - 1993 at Royal Academy of Arts, London / Berlin 1993. Neues Museum Weserburg: Vorhut aus dem Hinterland, Künstler aus 25 Jahren, Kabinett für aktuelle Kunst, Bremen 1992. Musée d'art moderne de la Communauté Urbaine de Lille, Yvon Lambert collectionne, Villeneuve d'Ascq 1992. Kaiser-Wilhelm-Museum: Schwerpunkt Skulptur, Krefeld, 1992. Musée d'Art Moderne de la Ville de Paris. Un Choix d'Art Minimal dans la Collection Panza, Paris 1991. Meyer-Hermann, E.: Das Phänomen Bodenplastik. Untersuchungen zu einem Formproblem der sechziger Jahre an Werkbeispielen von Carl Andre, Anthony Caro, Franz Erhard Walther und Franz Bernhard, Bonn 1991. Channel Four Television : Without Walls, Upholding the Bricks, Video, approx. 50 min., London 1991. Museum für Moderne Kunst/Karmeliterkloster: Carl Andre-Extraneous Roots, Frankfurt am Main 1991. Grandes Lignes, SNCF Paris. Gare de l'Est, Paris 1991. Neues Museum Weserburg: Sammlung Lafrenz, Bremen 1991. Kunsthalle der Hypo-Kulturstiftung: Denk-Bilder/Kunst der Gegenwart 1960-1990, München 1991. The Art Institute of Chicago: Affinities and Intuitions, The Gerald S. Elliot Collection of Contemporary Art, Chicago 1990. Nationalgalerie Staatliche Museen Preussischer Kulturbesitz: Kleinplastiken aus der Sammlung der Nationalgalerie, Berlin 1990. Arbor, A.: University of Michigan Museum of Art. Grounded: Sculpture on the Floor, 1990. Tenberg, S.: Das Kunstwerk des Monats, Münster 1990 Deichtorhallen-Ausstellungs-GmbH: Einleuchten, Will, Vorstel and Simul in HH. Hamburg 1989. Panza di Biumo, G.: Arte e Rappresentazione della Realtà, Spazio Umano 1989. The Tate Gallery: Minimalism, Craig-Martin, Michael, The Art of Context, Liverpool 1989. Berliner Künstlerprogramm des DAAD: Balkon mit Fächer, Berlin 1988. The Museum of Contemporary Art: Three Decades, The Oliver Hoffman Collection, Chicago 1988. Art of the Sixties and Seventies: The Panza Collection. New York 1988. Palacio de Cristal: Roaring Forties, Madrid 1988. Centro de Arte Reina Sofia. Arte Minimal, Colección Panza, Madrid 1988. Hamburger Bahnhof. Zeitlos, Berlin 1988. Baker, K.: Minimalism, Abbevile Press, New York 1988. Kröller-Müller Stichting: Honderd jaar bouwen en verzamelen. Otterlo 1988. Berliner Künstlerprogramm des DAAD. Balkon mit Fächer, Berlin 1988. Art Gallery of Ontario: Selections from the Roger and Myra Davidson Collection. Toronto 1987. Westfälisches Landesmuseum: Skulptur Projekte in Münster, Münster 1987. Dallas Museum of Art: A Century of Modern Sculpture: The Patsy and Raymond Nasher Collection, 1987. Art Gallery of Ontario: Selections from the Roger and Myra Davidson Collection, Toronto 1987. capcMusée d'art contemporain, Art Minimal II, Bordeaux 1986. Doe, D. B.: Of Steel and Brick and Ordinary Things: The Sculpture of Carl Andre, Resource and Response, Sheldon Memorial Art Gallery, Nebraska 1986. Szeemann, H.: Wiener Festwochen im Messepalast. De Sculptura, Wien 1986. The Solomon R. Guggenheim Museum: Transformations in Sculpture. New York 1986. Museum Haus Lange and Haus Esters: Dreissig Jahre durch die Kunst, Krefeld 1985. Musée d'Art Moderne de la Ville de Liège: Ressemblances/Dissemblances, 1985. Krauss, R.: The Originality of the Avant-Garde and Other Modernist Myths. Cambridge 1985. capcMusée d'art contemporain: Art Minimal, Bordeaux 1985. Westfälischer Kunstverein Münster: Berliner Künstlerprogramm des DAAD, Kunstraum München. Carl Andre, Die Milchstrasse, Der Frieden von Münster und andere Skulpturen, Münster 1985. Fondation Cartier: Sculptures. Jouy-en-Josas 1985. Gilbert-Rolfe, J.: Immanence and Contradiction, New York 1985. Stedelijk Van Abbemuseum: L'Architecte est Absent, Works from the Collection of Annick and Anton Herbert. Eindhoven 1984. State University, The Fine Arts Center Art Gallery: Carl Andre Sculpture, New York 1984. Rijksmuseum: Kröller-Müller. Little Arena - Drawings and sculptures from the collection Adri, Martin and Geertjan Visser. Otterlo 1984. Merian-Park: Skulptur im 20. Jahrhundert. Basel 1984. Tate Gallery: American Art, Minimal Expression. London 1984. Museum Haus Lange and Museum Haus Esters: Das, was durch Darstellung einen Stillstand andeutet. Sammlung Reiner Speck, Krefeld 1983. 17de Biennale voor Beeldhouwkunst, Middelheim 1983. Nouveau Musée Villeurbanne: Carl Andre, Lyon 1983. Heath Gallery: Carl Andre, Sculpture 1983, Georgia 1983. Stedelijk Museum: '60 '80 Attitudes/Concepts/Images, Amsterdam 1982. Fuchs, R.: documenta7, Kassel 1982. Nationalgalerie Berlin: Staatliche Museen Preußischer Kulturbesitz, Kunst wird Material, Berlin 1982. Glozer, L.: Westkunst, Köln 1981. Myers, J. B.: Tracking the Marvelous, New York 1981. Artists for Nuclear Disarmament at the Acme Gallery, London 1981. Fundacion Juan March: Minimal Art. Essay by Tuchman, Phyllis, Madrid 1981. International Cultural Center: Antwerpen 1980. Andre, C. and Frampton, H.: 12 Dialogues, 1962-1963. Halifax 1980. Wenkenpark: Skulptur im 20. Jahrhundert, Basel 1980. A.R.E.A. Project: Sculpture on Shoreline Sites. Ward's Island, New York 1979. Musée d'Art Moderne de la Ville de Paris: Sculptures en bois. Texts by Pagé, Suzanne / Michel Gérard: Conversation with Carl Andre. Paris 1979. Kunsthalle Bern: Skulptur, Matisse, Giacometti / Judd, Flavin, Andre, Long. Bern 1979. Bonnefantenmuseum: On Walks and Travels. Maastricht 1979. Rorimer, A.: The Sculpture of Carl Andre, Bulletin of The Art Institute of Chicago, Chicago 1978. Bourdon, D.: Carl Andre Sculpture 1959-1977, New York 1978. Laguna Gloria Art Museum: Carl Andre Sculpture 1959-1977, Austin 1978. Paris. Musée d'Art Moderne de la Ville de Paris, Centre Georges Pompidou. Paris / New York 1977. Pincus-Witten, R.: Postminimalism, New York 1977. Nassau County Museum of Fine Arts: Wood. New York 1977. Westfälisches Landesmuseum für Kunst und Kulturgeschichte: Skulptur. Münster 1977. Krauss, R.: Passages in Modern Sculpture, New York, 1977. Städtisches Museum Mönchengladbach: Räume. Mönchengladbach 1976. Städtische Kunsthalle Düsseldorf: ProspectRetrospect, Köln 1976. Interfunktion: Andre, Carl and Frampton, Hollis. Three Dialogues on Photography, 1975. The Condition of Sculpture: A Selection of Recent Sculpture by Younger British and Foreign Artists, Hayward Gallery, London 1975. The Tate Gallery: Carl Andre The Tate Gallery 1972-4 Biennial Report and Illustrated Catalogue of Acquisitions, London 1975. De Vries, G.: Artist's Writings on the Changed Notion of Art after 1965. Köln 1974. The National Gallery of Victoria: Some Recent American Art, Melbourne 1973. Andre, Carl. "The Role of the Artist in Today's Society: A Symposium at Oberlin, statement in Allen Memorial Art Museum Bulletin, Vol. XXX, 1973. Szeemann, Harald / Jappe, Georg / Schmidt, Aurel: Dokumente zur aktuellen Kunst 1967-1970. Kunstkreis AG. Luzern, Switzerland 1972. Cummings, P.: Taped Interview with Carl Andre, Archives of American Art, 1972. Lippard, L.: Changing. New York 1971. Calas, Nicholas and Elena. Icons and Images of the Sixties. New York 1971. Württembergischer Kunstverein: Eisen- und Stahlplastik. Stuttgart 1970. Battcock, G.: Minimal Art: A Critical Anthology. New York 1968. Los Angeles County Museum of Art / Philadelphia Museum of Art: American Sculpture of the Sixties, 1967. The Jewish Museum. Primary Structures: Younger American and British Sculptors. New York 1966.